TODO / CONTRIBUTIONS TO MOMUS PROGRAMS
[todo:contributions]
Writer
- The Shadow-Self Universe of Chris Ware
- Living Fragments: On Berlin’s Winter of Broken Pieces
- Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
- Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real
- Wire and String: Olga Balema’s Sinewy Abjection
- The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia
- Ana Mendieta’s Death is Not a Metaphor
- What’s Wrong with a Fairly Good Biennial?
- Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
- What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
- “More Than Those Who Despised Her”: Unforgetting on the Prairies
- Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity
- Crocodile Tears: Ed Atkins and the Crisis of Pathetic Masculinity
- Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”
- Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin
- Performance Art Blows Open the Prairies, in “Stages”
- Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President”
- A Parasitic ‘joie de vivre’ in “Viva Arte Viva”
- The Enduring Popularity of Fictional Critic “Madame Realism”
- Stay on It: Maintaining Julius Eastman’s Radical Desire
- “A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book
- The Many Faces of Brian O’Doherty
- The Atmospheric Pressure in “Reading” Barbara Bloom
- Ways of Seeing John Berger, in Two Recent Documentaries
- Romancing the Stone: Three Berlin Exhibitions Commune with the Ancients
- The Past Imperfect of Jutta Koether
- The Ellipses of Eva Hesse: Reading Her Collected Diaries
- Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access
- Dumb Material and Animate Belief: Sadie Benning Plays (with) God
- The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
- Wresting the Work of Straub and Huillet from the Annals of Academia and Art History
- Emerging Artist Neil Beloufa Turns Smug at MoMA
- The Unspecific (But Straining) Politics of Joan Jonas
- The “Fuck Em” Sex and Class Reversals of Alicia Gibson
- “As a Relief from Language”: Hilton Als, as Artist
- Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board
- Mary Heilmann and David Reed’s “Two By Two” at the Hamburger Bahnhof Floats Towards Americana
- The Deadening Gaze of Tal R
Guest
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