Features Dec 31, 2014 Saelan Twerdy Year in Review: Montreal From the Ground Up Features Dec 31, 2014 Joseph Henry Year in Review: The Women Represented Reviews Dec 29, 2014 Saelan Twerdy Playing the Double Agent: Kathleen Ritter’s “Camoufleurs” Features Dec 23, 2014 Ben Portis Translation & Transcription: A Conversation with Shelagh Keeley Features, Reviews Dec 22, 2014 Aaron Bogart Identity After the Internet: Three Berlin Exhibitions in Search of Commonality Features Dec 17, 2014 Sky Goodden Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips Artnet News, Features Dec 16, 2014 Ben Davis After Ferguson, A New Protest Culture’s Challenge to Art Artnet News, Reviews Dec 15, 2014 Christian Viveros-Fauné Douglas Gordon at the Armory Is All Flash and No Follow-Through Reviews Dec 15, 2014 Clint Burnham Tadej Pogačar’s Persistent Perversion of Institutional Critique Features Dec 11, 2014 Earl Miller A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader Features, Reviews Dec 11, 2014 Joseph Henry and Fabien Maltais-Bayda Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective Reviews Dec 10, 2014 Sky Goodden A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between Reviews Dec 8, 2014 Mark Mann Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough Reviews Dec 4, 2014 Clint Burnham Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary Artnet News, Features Dec 3, 2014 JJ Charlesworth Turner Prize: Confused Critics Demand Relevance Features, Reviews Dec 1, 2014 Wojciech Olejnik Time, Travel, and Trial in the Work of Jason de Haan Features Dec 1, 2014 Andrew Berardini How to Survive International Art: Notes from the Poverty Jetset Reviews Nov 26, 2014 Clint Burnham Looking At Us Looking At You: Looking Down on Isa Genzken Features Nov 24, 2014 Sky Goodden The Future of Art Toronto, and How It Plans to Adapt Reviews Nov 19, 2014 Clint Burnham The Problematized Fun of Cosima von Bonin Reviews Nov 18, 2014 Andrew Berardini “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer Features Nov 17, 2014 Joseph Henry Kill the Expert: An Interview with Brian Droitcour Features, Reviews Nov 13, 2014 Maya Harakawa Independent Projects Extends on the “Curated Fair,” with Mixed Results Reviews Nov 10, 2014 Saelan Twerdy Future Forecast: The Montreal Biennale 2014 Reviews Nov 10, 2014 Clint Burnham The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series Reviews Nov 7, 2014 Benjamin Bruneau Karen Kraven Nets Meaning in the Threads Reviews Nov 5, 2014 Sky Goodden Blue Republic Finds its Center Features Nov 3, 2014 Saelan Twerdy A Theory of Everything: On The State of Theory and Criticism (Part Two) Features Oct 30, 2014 Saelan Twerdy A Theory of Everything: On the State of Theory and Criticism (Part One) Features Oct 27, 2014 Joseph Henry The Commons of Aggregation: The Case for Net Art as Public Art Features Oct 27, 2014 Sky Goodden Feature Art Fair’s Focus on the Art, and the Currents That Emerged Reviews Oct 22, 2014 David Balzer Machinations: Stan Douglas Makes His Theatrical Debut Features Oct 16, 2014 Sky Goodden Working with the Material at Hand: A Roundtable on Regionalism Features Oct 15, 2014 Joseph Henry Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel Reviews Oct 15, 2014 Clint Burnham The Militant Image Features Oct 15, 2014 Colin Perry Fossils Reviews Oct 15, 2014 Colin Perry Pierre Huyghe’s Airless Fantasy at Hauser & Wirth Features Oct 15, 2014 Andrew Berardini How to Write About Contemporary Art Reviews Oct 15, 2014 Caoimhe Morgan-Feir An Italian Futurist Out of Step with the Rest: Salvatore Scarpitta Features Oct 15, 2014 Sky Goodden Interview: Ben Davis on Marxism, Criticism, and Contemporary Art Reviews Oct 15, 2014 Saelan Twerdy How Curating Took Over the World: David Balzer’s Game-Changing “Curationism” Reviews Oct 14, 2014 Mark Mann The Miserable Quips of Brad Phillips Features Oct 12, 2014 Caoimhe Morgan-Feir Rural Exhibitions: Their Gambit and Their Trope Features Aug 3, 2014 Sky Goodden Frank Mädler’s Fleeting Capture
