Features 2014-12-31 Year in Review: Montreal From the Ground Up Saelan Twerdy Features 2014-12-31 Year in Review: The Women Represented Joseph Henry Reviews 2014-12-29 Playing the Double Agent: Kathleen Ritter’s “Camoufleurs” Saelan Twerdy Features 2014-12-23 Translation & Transcription: A Conversation with Shelagh Keeley Ben Portis Features, Reviews 2014-12-22 Identity After the Internet: Three Berlin Exhibitions in Search of Commonality Aaron Bogart Features 2014-12-17 Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips Sky Goodden Artnet News, Features 2014-12-16 After Ferguson, A New Protest Culture’s Challenge to Art Ben Davis Artnet News, Reviews 2014-12-15 Douglas Gordon at the Armory Is All Flash and No Follow-Through Christian Viveros-Fauné Reviews 2014-12-15 Tadej Pogačar’s Persistent Perversion of Institutional Critique Clint Burnham Features 2014-12-11 A Rebuke to the Perceived “Crisis in Criticism”: Social Media and the Liberated Reader Earl Miller Features, Reviews 2014-12-11 Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective Joseph Henry and Fabien Maltais-Bayda Reviews 2014-12-10 A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between Sky Goodden Reviews 2014-12-08 Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough Mark Mann Reviews 2014-12-04 Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary Clint Burnham Artnet News, Features 2014-12-03 Turner Prize: Confused Critics Demand Relevance JJ Charlesworth Features, Reviews 2014-12-01 Time, Travel, and Trial in the Work of Jason de Haan Wojciech Olejnik Features 2014-12-01 How to Survive International Art: Notes from the Poverty Jetset Andrew Berardini Reviews 2014-11-26 Looking At Us Looking At You: Looking Down on Isa Genzken Clint Burnham Features 2014-11-24 The Future of Art Toronto, and How It Plans to Adapt Sky Goodden Reviews 2014-11-19 The Problematized Fun of Cosima von Bonin Clint Burnham Reviews 2014-11-18 “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer Andrew Berardini Features 2014-11-17 Kill the Expert: An Interview with Brian Droitcour Joseph Henry Features, Reviews 2014-11-13 Independent Projects Extends on the “Curated Fair,” with Mixed Results Maya Harakawa Reviews 2014-11-10 Future Forecast: The Montreal Biennale 2014 Saelan Twerdy Reviews 2014-11-10 The Dreamscapes of Vienna’s Sprawling “Century of the Bed” Series Clint Burnham Reviews 2014-11-07 Karen Kraven Nets Meaning in the Threads Benjamin Bruneau Reviews 2014-11-05 Blue Republic Finds its Center Sky Goodden Features 2014-11-03 A Theory of Everything: On The State of Theory and Criticism (Part Two) Saelan Twerdy Features 2014-10-30 A Theory of Everything: On the State of Theory and Criticism (Part One) Saelan Twerdy Features 2014-10-27 The Commons of Aggregation: The Case for Net Art as Public Art Joseph Henry Features 2014-10-27 Feature Art Fair’s Focus on the Art, and the Currents That Emerged Sky Goodden Reviews 2014-10-22 Machinations: Stan Douglas Makes His Theatrical Debut David Balzer Features 2014-10-16 Working with the Material at Hand: A Roundtable on Regionalism Sky Goodden Features 2014-10-15 Nice Things: The Pleasure Principle in Jeff Koons and Cory Arcangel Joseph Henry Reviews 2014-10-15 The Militant Image Clint Burnham Features 2014-10-15 Fossils Colin Perry Reviews 2014-10-15 Pierre Huyghe’s Airless Fantasy at Hauser & Wirth Colin Perry Features 2014-10-15 How to Write About Contemporary Art Andrew Berardini Reviews 2014-10-15 An Italian Futurist Out of Step with the Rest: Salvatore Scarpitta Caoimhe Morgan-Feir Features 2014-10-15 Interview: Ben Davis on Marxism, Criticism, and Contemporary Art Sky Goodden Reviews 2014-10-15 How Curating Took Over the World: David Balzer’s Game-Changing “Curationism” Saelan Twerdy Reviews 2014-10-14 The Miserable Quips of Brad Phillips Mark Mann Features 2014-10-12 Rural Exhibitions: Their Gambit and Their Trope Caoimhe Morgan-Feir Features 2014-08-03 Frank Mädler’s Fleeting Capture Sky Goodden