Artnet News, Features Dec 22, 2015 Ben Davis The Most Important Art Essays of the Year Features Dec 18, 2015 RM Vaughan Why Can’t We Talk About Class and Art in Canada? Features Dec 14, 2015 Sky Goodden The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga Features Dec 8, 2015 Catherine G. Wagley Friends Among Us: Reflections on the Value and Risk of Nepotism in Art Artnet News, Features Dec 5, 2015 Christian Viveros-Fauné The Inequality of Contemporary Art Features Dec 3, 2015 Andrew Berardini How to Art Fair Features Dec 1, 2015 Kimberlee Córdova The Function of Gossip as Criticism in Mexico’s Artworld Features Nov 26, 2015 Sky Goodden “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure Features, Tate Etc. Nov 25, 2015 Luc Tuymans Private View: Luc Tuymans on Henry Raeburn Reviews Nov 23, 2015 Liz Park The Lips of a Wound: Reflections on Doris Salcedo Reviews Nov 19, 2015 Becca Rothfeld Nothing in These Works is Given Freely: The Phenomenological Approach of Frank Auerbach Features Nov 17, 2015 Ulysses Castellanos A Prismatic Picture of Colombian Street Culture in Jorge Lozano’s Experimental Films Features Nov 13, 2015 Sky Goodden These Are Not Ideas; These Are Things: A Conversation with Liz Magor Features Nov 10, 2015 Momus and artnet News and Temporary Art Review The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review Reviews Nov 5, 2015 Ben Portis Cohering His Compulsions: Ken Nicol Advances at Olga Korper Features Nov 2, 2015 Andrew Berardini How to Read an Art Magazine Features Nov 2, 2015 RM Vaughan Why We Photograph Features Oct 27, 2015 Sky Goodden Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station Reviews Oct 26, 2015 Catherine G. Wagley Helen Molesworth Upends the Permanent Hang at MOCA LA Features Oct 21, 2015 Sky Goodden Our Mutual Desire for Critical Change: Momus and Feature Art Fair Reviews Oct 20, 2015 Kelly Jazvac The Spinning “YOLO” Sympathies of Sandra Meigs Features Oct 19, 2015 Benjamin Bruneau Interview: The Compressed Violence of Dana Schutz Reviews Oct 14, 2015 Alison Snowball How To Follow Your Own Success: Kristiina Lahde at MKG127 Reviews Oct 13, 2015 Ulysses Castellanos A Portrait of The Artist as a Young Professional: Joseph Hartman’s Artist Studios Features Oct 9, 2015 Danny Olda Interview: Kalup Linzy In Between Acting and Performing Features Oct 7, 2015 Sky Goodden Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time Reviews Oct 7, 2015 Otino Corsano All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital Reviews Oct 5, 2015 Dagmara Genda A New Level of Anxiety in Derek Liddington Reviews Oct 1, 2015 Adam Barbu Slowing Down Perception: “are you experienced?” Tries to Affect the White Cube Features, Tate Etc. Sep 29, 2015 Chris Dercon What is the Museum of the Future? Reviews Sep 28, 2015 Becca Rothfeld The Incurable Distance of Gustave Caillebotte Features Sep 24, 2015 Sky Goodden Interview: Lois Andison Talks Back to Male Modernists Features Sep 23, 2015 Kimberlee Córdova Contemporary Art Writing in Mexico: The Intractable and Necessary Issue of Corruption Features Sep 21, 2015 Carol Strickland The First Modern Art Dealer and the Movement He Incited Features Sep 16, 2015 RM Vaughan A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art Artnet News, Features Sep 15, 2015 Ben Davis Beware the “Creative Economy” Reviews Sep 14, 2015 Michael Vass The Subtle Evolution and Marked Aging of Michael Smith’s “Mike” Features Sep 11, 2015 Carol Strickland Shedding New Light on the Night: Obscurity and Clarity in the American Nocturne Reviews Sep 8, 2015 Gauthier Lesturgie From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo Features Sep 8, 2015 Clint Burnham First Nations Art and the Matter of Its Politics Artnet News, Reviews Sep 7, 2015 Amah-Rose Abrams Successfully Mining Politics for Feeling: Carolyn Christov-Bakargiev’s Istanbul Biennial Features Aug 24, 2015 Sky Goodden Momus “Best Of”: Vol. 1 Reviews Aug 21, 2015 Andrew Berardini A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe Reviews Aug 21, 2015 Ulysses Castellanos The Outsider That Invites Us In: Jordan Maclachlan’s “Ways of Living” Reviews Aug 19, 2015 Lee Plested Grey Skies Over Melancholy Bay: Creative Antagonism and Cultural Preservation on the West Coast Reviews Aug 18, 2015 RM Vaughan Nothing is Absolute: The Fairy-Winged Failure of “Absolute Beauty: Neoacademicism in Saint Petersburg” Reviews Aug 15, 2015 Sky Goodden What Gets Revealed When Iris Häussler Finally Owns Her Name Features, Tate Etc. Aug 14, 2015 Glenn Ligon and Simon Grant Inside My Head: An Interview with Glenn Ligon Reviews Aug 12, 2015 Becca Rothfeld Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings Features, Tate Etc. Aug 6, 2015 Karen Schiff On the Subtle Joy of Agnes Martin Features Aug 4, 2015 Natasha Chaykowski Are Sex Differences Getting in the Way?: The Limits of Gender-Based Curating Artnet News, Features Jul 30, 2015 Ben Davis The Meaning Behind the Merger of ARTnews and Art in America Features Jul 29, 2015 Dagmara Genda Picturing Nothing: Reading the Drawings of Sophie Jodoin Through the Words of Samuel Beckett Features Jul 27, 2015 RM Vaughan On Jurassic World’s Blockbusting Fear of Art Features Jul 24, 2015 Earl Miller On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art Reviews Jul 20, 2015 Mitch Speed Mary Heilmann and David Reed’s “Two By Two” at the Hamburger Bahnhof Floats Towards Americana Features, Tate Etc. Jul 17, 2015 Tracey Emin and Simon Grant Perfect Bedfellows: Tracey Emin on Francis Bacon Features Jul 15, 2015 Andrew Berardini How To See a Sunset Features Jul 13, 2015 Sky Goodden Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto Reviews Jul 9, 2015 Saelan Twerdy This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web Reviews Jul 8, 2015 Rebecca Travis Simon Denny’s Trade Show Overkill at MoMA PS1 Features Jul 6, 2015 RM Vaughan It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation Reviews Jul 1, 2015 Ulysses Castellanos Space is the Plane: Chris Curreri Explodes His Medium at the Gardiner Museum Reviews Jun 29, 2015 Dagmara Genda View from Here: On the Contingency of Sight in Wanda Koop Features Jun 26, 2015 Sky Goodden Post-Crisis: What’s Next for Art Criticism in a Digital Age Features Jun 26, 2015 Jennifer Matotek The Exit Interview: Matthew Teitelbaum Features Jun 24, 2015 Sheila Heti Sheila Heti Interviews John Currin on the Fun, Beautiful Things Features Jun 23, 2015 Sky Goodden A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now” Reviews Jun 18, 2015 RM Vaughan VSVSVS at Mercer Union: A White-Cube Compromise Features Jun 17, 2015 Sky Goodden Interview: Tacita Dean Features Jun 15, 2015 Orit Gat What Is an Art Critic Doing at an Art Fair? Features Jun 10, 2015 David Balzer Interview: Rashaad Newsome on Voguing, Heraldry, and FKA Twigs Features Jun 9, 2015 Paul P. Paul P. on Two Works by Stephen Andrews Features Jun 8, 2015 Sky Goodden Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust” Reviews Jun 2, 2015 Rui Amaral and Sky Goodden Ydessa Hendeles: Of Ourselves and of Our Subjects Artnet News, Features Jun 1, 2015 Sarah Cascone Can Art Museums Afford to Be Free? Reviews May 27, 2015 David Balzer Labor Lost: Okwui Enwezor’s Artworld Biennale Reviews May 26, 2015 Sky Goodden A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale Reviews May 20, 2015 Danny Olda Trenton Doyle Hancock Moves to Mythos at Sarasota’s Ringling Museum Reviews May 20, 2015 Kyle Proehl A Pixelating Voice: Reading Sophia Al-Maria’s “Sisters” at the New Museum Triennial Artnet News, Features May 13, 2015 Ben Davis After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity Features May 12, 2015 Kaegan Sparks To Cut and To Swipe: Understanding Hito Steyerl Through “HOW NOT TO BE SEEN” Reviews May 5, 2015 RM Vaughan Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski Reviews May 3, 2015 Ulysses Castellanos “Feast”: Xiao Guo Hui’s Divine Tragedy Artnet News, Features May 1, 2015 Ben Davis The Whitney’s Triumphant New Museum is Worrying For Art Reviews May 1, 2015 Clint Burnham The Troubling Thrill of Invernomuto’s Counter-Ritual Features Apr 27, 2015 Joseph Henry The Suffering Body of 1993: Whatever Happened to the “Abject” Features Apr 27, 2015 Fabien Maltais-Bayda Parsing Re-Performance and Institutional Critique in the Choreography of Sasha Kleinplatz Reviews Apr 19, 2015 Wojciech Olejnik Valérie Blass Is Both Accessible and Locked-Up in “My Life” Artnet News, Reviews Apr 17, 2015 Ben Davis In “Martin Wong: Painting is Forbidden,” the Wattis Institute Largely Sidesteps Painting Features Apr 16, 2015 Sky Goodden Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography Artnet News, Reviews Apr 12, 2015 Paddy Johnson Hito Steyerl’s Nexus of Money, Violence, and Art Features Apr 9, 2015 Sky Goodden Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography Features Apr 8, 2015 Carol Strickland Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame Features Apr 7, 2015 RM Vaughan The Alchemist: A Studio Visit with Sadie Weis Features Apr 1, 2015 Will Fenstermaker Tools for Redress: A Century of Political Art Between “Zero Tolerance” and “The Left Front” Features Mar 30, 2015 RM Vaughan “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary” Features Mar 27, 2015 Cliff Eyland Retrospective: Pollock in LIFE Reviews Mar 24, 2015 Chloe Wyma Girls Gone Viral: Anicka Yi’s Pathological Feminism Features Mar 23, 2015 Sky Goodden Interview: The Difficulty in Distilling Suzy Lake Artnet News, Features Mar 20, 2015 Ben Davis Is the iPhone a Blessing or a Curse for Art? Reviews Mar 17, 2015 Saelan Twerdy Aiming to Please: Division Gallery Surveys Post-Internet Entertainment Reviews Mar 16, 2015 David Balzer The Anxiety of Influence: Jack Bush at the National Gallery Features Mar 12, 2015 Coline Milliard Interview: Venice Biennale Curator Okwui Enwezor On “All the World’s Futures” and the Angel of History Features Mar 10, 2015 Joseph Henry “What Instruments Have We?”: A Conversation with Emily Roysdon Artnet News, Reviews Mar 5, 2015 Ben Davis MoMA “Steps on a Nail” with Bad Björk Show Reviews Mar 3, 2015 Mitch Speed The Deadening Gaze of Tal R Artnet News, Reviews Feb 26, 2015 Paddy Johnson The Figure is Back in New Museum Triennial Reviews Feb 25, 2015 Sky Goodden Janet Werner’s Truer Subject, the Women Unseen Reviews Feb 24, 2015 Alex Bowron The Contemporary Erotics of Laurie Kang Reviews Feb 19, 2015 RM Vaughan AA Bronson Breathes New Life as He Raises the White Flag Features, Reviews Feb 18, 2015 Matthew Carver Lee Mingwei and His Relations: The Legacy and Deviation of Relational Aesthetics in the East Artnet News, Reviews Feb 18, 2015 Christie Chu Ben Schumacher Comes of Age at New York’s Bortolami Gallery Reviews Feb 16, 2015 Saelan Twerdy Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia Reviews Feb 12, 2015 Mark Mann The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0” Features Feb 10, 2015 Andrew Berardini How to Start an Art School Reviews Feb 9, 2015 Clint Burnham Luc Tuymans Dares Painting to Lose Artnet News, Reviews Feb 7, 2015 Ben Davis What On Kawara’s Analog Wisdom at the Guggenheim Has to Offer a Digital World Features, Reviews Feb 4, 2015 Joseph Henry Ryan McNamara and the Afterlife of Performance Features, Reviews Feb 2, 2015 RM Vaughan When Does Performing Failure Make Its Own Failure? Reviews Jan 30, 2015 Clint Burnham The Many Violences of Adel Abdessemed Features Jan 29, 2015 Sky Goodden The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn Artnet News, Reviews Jan 26, 2015 Ben Davis Loris Gréaud Smashes the Mold for Museum Shows Features, Reviews Jan 22, 2015 Sky Goodden Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In? Artnet News, Reviews Jan 20, 2015 JJ Charlesworth Can Abstract Art Still Be Radical? Reviews Jan 19, 2015 Kristy Trinier Neïl Beloufa Relies on Other People Features Jan 14, 2015 Sky Goodden Interview: Pedro Reyes Reclaims the Politics in Art Artnet News, Features Jan 12, 2015 Ben Davis Why I Believe New York’s Art Scene Is Doomed Reviews Jan 8, 2015 Joseph Henry Querying the New Appropriation Art: Is This Cynicism? Features Jan 6, 2015 Andrew Berardini In Praise of Good Art Writing Features Jan 5, 2015 David Balzer Alien vs. Predator: The Critic in Three Recent Films Artnet News, Features Jan 5, 2015 Ben Davis 30 Art-Writing Clichés to Ditch in the New Year
