Features, Reviews 2016-12-22 Grieving in L.A. Sky Goodden Features, Reviews 2016-12-21 The Material Undoings of Kelly Lycan Joni Low Reviews 2016-12-19 “If I Ventured in the Slipstream”: Tamara Henderson’s Nomadic Encampment at REDCAT Andrew Berardini Features, Reviews 2016-12-15 An Allegory for an Absconded Modernity: Claudio Correa’s Brigantine Signals Chile’s Speculative Present Juan José Santos Reviews 2016-12-13 Ways of Seeing John Berger, in Two Recent Documentaries Mitch Speed Reviews 2016-12-08 Isa Genzken Plays with the Artworld’s Insides in “I Love Michael Asher” Catherine G. Wagley Features 2016-12-06 How to Hang a Picture Andrew Berardini Reviews 2016-12-02 Sara Cwynar Prepares Herself to Turn Sky Goodden Reviews 2016-11-30 Acting Out: The Visibility of Blackness in the Work of Martine Syms Zoë Chan Artnet News, Features 2016-11-25 What’s Become of the “Curator”? Hettie Judah Features, Reviews 2016-11-22 Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial Saelan Twerdy Reviews 2016-11-17 Weird Science: William Kentridge Deepens Time at Whitechapel Tausif Noor Reviews 2016-11-15 Romancing the Stone: Three Berlin Exhibitions Commune with the Ancients Mitch Speed Artnet News, Features 2016-11-10 A Culture War is Coming Christian Viveros-Fauné Reviews 2016-11-04 A House Divided: Theaster Gates’s Confused Beat at the AGO Ulysses Castellanos Reviews 2016-11-01 The 11th Gwangju Biennale’s Overreach: “What Does Art Do?” Ben Eastham Reviews 2016-10-27 Clive Holden Grounds the Digital in Aura Sky Goodden Reviews 2016-10-26 Toronto the Good, in Two Histories Philip Monk Features 2016-10-20 How to FOMO: Missing Out On the Fear of Missing Out Andrew Berardini Reviews 2016-10-18 The Past Imperfect of Jutta Koether Mitch Speed Reviews 2016-10-13 While the World Burns: The 32nd São Paulo Biennial’s Political Disregard Juan José Santos Reviews 2016-10-10 Stardust Tears: Sojourner Truth Parsons’s “Crying in California” Andrew Berardini Reviews 2016-10-05 The Instagrammable Angst of Anne Imhof Alison Hugill Features 2016-09-30 An Elegy for Annie Pootoogook (1969–2016) Candice Hopkins Features 2016-09-29 The Ellipses of Eva Hesse: Reading Her Collected Diaries Mitch Speed Features, Tate Etc. 2016-09-22 Wifredo Lam: The Albissola Years Eskil Lam Artnet News, Reviews 2016-09-20 Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum Ben Davis Reviews 2016-09-15 Mark Ruwedel’s Desert History, as Fugitive Present Sky Goodden Reviews 2016-09-13 Simone Leigh’s Powerful Meditation on Race and Healthcare Suffers, Ironically, from Lack of Access Mitch Speed Features 2016-09-08 Ajay Kurian’s Futures Long Since Passed Owen Duffy Features, Tate Etc. 2016-09-06 “Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig Gilda Williams Features 2016-08-25 Momus Best-Of: Vol. 2 2015-16 Sky Goodden Features 2016-08-24 Momus Video Series: Orit Gat’s “If It Looks Like Zeitgeist, It Might be Anxiety: Art After the Internet” Sky Goodden Reviews 2016-08-17 Liz Magor Waits, But Not For You E.C. Woodley Reviews 2016-08-16 DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience Alison Hugill Reviews 2016-08-10 Dumb Material and Animate Belief: Sadie Benning Plays (with) God Mitch Speed Features 2016-08-09 Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto Sky Goodden Features 2016-08-04 Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent Saelan Twerdy Reviews 2016-08-03 The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali Mitch Speed Features, Reviews 2016-07-28 Manifesta 11: What Artists and Curators Do for Money Lauren Wetmore Reviews 2016-07-25 Wresting the Work of Straub and Huillet from the Annals of Academia and Art History Mitch Speed Features 2016-07-20 “If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry” Raél Jero Salley Reviews 2016-07-18 From a Safe Distance: Guy Maddin Stills His Lens with Collage Mark Mann Reviews 2016-07-13 Battle Hymn of the Republic: The Measure of Kehinde Wiley in the American South Tausif Noor Features, Tate Etc. 2016-07-13 “Out There in the Many Miles of Bad Lands”: Georgia O’Keeffe in Her Own Words Georgia O’Keeffe Reviews 2016-07-11 The Photograph is a Hinge: Taca Sui Traces a Cultural Slippage Colin Edgington Reviews 2016-07-05 The Politics of Color in Kristine Moran Sky Goodden Artnet News, Features 2016-06-30 After Brexit, Art Must Break Out of Its Bubble Ben Davis Reviews 2016-06-28 Emerging Artist Neil Beloufa Turns Smug at MoMA Mitch Speed Features 2016-06-27 The Fair They Built: The Disappeared Workers of Art Basel, in Painting Sholem Krishtalka Features 2016-06-23 Understanding Lina Bo Bardi’s Unending Popularity (and Misuse) Juan José Santos Features, Tate Etc. 2016-06-21 You Are Still Here: The Present Tense and Present Threat of Mona Hatoum Ali Smith Reviews 2016-06-15 The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin Andrew Berardini Reviews 2016-06-13 Abigail DeVille Unburies Bodies at The Contemporary Owen Duffy Features 2016-06-09 Art and Architecture’s DIY Practices and “Folk Politics”: Radical or Picking Up the Social Tab? Alison Hugill Reviews 2016-06-07 Printmaking in the Anthropocene: Sean Caulfield’s Uncannily-Timed “Firedamp” Burns Darkly Stephanie Bailey Reviews 2016-06-03 The Unspecific (But Straining) Politics of Joan Jonas Mitch Speed Artnet News, Reviews 2016-06-01 Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy Ben Davis Features 2016-05-30 “Please Hold Your Questions”: A Culture of Asking Questions as Criticism and Authority Renan Laru-An Reviews 2016-05-25 In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography Alex Bowron Reviews 2016-05-24 A Parallel Landscape: Ned Pratt’s Abstract Sublime Sky Goodden Reviews 2016-05-17 Troubling Self-Care in a Selfie World: The Photographs of Karen Asher Dagmara Genda Features 2016-05-16 How to Become a Curator Andrew Berardini Reviews 2016-05-12 The “Fuck Em” Sex and Class Reversals of Alicia Gibson Mitch Speed Reviews 2016-05-11 Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding Zoë Chan Artnet News, Reviews 2016-05-06 The Pantomimed Fellowship of Nicole Eisenman’s “Al-ugh-ories” Ben Davis Features 2016-05-04 Embracing the Sāo Paulo Biennial’s Acute Uncertainty Juan José Santos Reviews 2016-04-30 The Archive is a Set of Relations, Not a Record of History: Thomas Ruff at David Zwirner Will Fenstermaker Features 2016-04-27 “Accessibility” and the New Hoser Aesthetics Lee Henderson Reviews 2016-04-26 The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings” Mark Mann and Sky Goodden Features, Tate Etc. 2016-04-20 Eeriness: Tracing an Unquiet Tradition in British Landscape Art Robert MacFarlane Features 2016-04-18 Regionalism Vs. Provincialism: Agitating Against Critical Neglect in Artworld Peripheries Amy Zion and Cora Fisher Reviews 2016-04-13 “As a Relief from Language”: Hilton Als, as Artist Mitch Speed Features 2016-04-12 The Ages of Mat Brown Ulysses Castellanos Features 2016-04-07 “You Can’t Win It”: Jon McCurley on the Art of Facebook Sky Goodden Artnet News, Features 2016-04-04 “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees Ben Davis Reviews 2016-04-01 The Humanist Impulse of Yousuf Karsh Ulysses Castellanos Reviews 2016-03-30 Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto Kimberlee Córdova Features 2016-03-29 Interview: Allison Hrabluik on the Unscripted Magic of “The Splits” Rosemary Heather Reviews 2016-03-24 Fantasies Both Light and Dark in Veteran Mavericks Eldon Garnet and Max Dean Ben Portis Features 2016-03-23 How To Be an Unprofessional Artist Andrew Berardini Reviews 2016-03-20 Flickering Insight from the Whitechapel’s “Electronic Superhighway” Ben Eastham Reviews 2016-03-16 What Should Art “Do”? The Eccentrics’ Vital Nonsense in a Time of Crisis Owen Duffy Reviews 2016-03-14 In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend Sky Goodden Features, Tate Etc. 2016-03-09 Hold Still: A History of Performing for the Camera from Nadar to the Selfie Liz Jobey Reviews 2016-03-07 Emergence and Ruin in Carol Wainio Andy Patton Features 2016-03-04 Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board Mitch Speed Artnet News, Features 2016-03-02 The State of the Artworld, Explained Ben Davis Features 2016-02-29 To Cloak or Reveal: Ryan Gander on the Question That Dogs Him Sky Goodden Features, Tate Etc. 2016-02-22 The Art of Protest Nina Power Features 2016-02-16 “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women” Sky Goodden Reviews 2016-02-09 The Sadean Woman: Tricia Middleton and the Violence of Art Saelan Twerdy Artnet News, Reviews 2016-02-08 The Hermetic Lyricism of Anri Sala Ben Davis Reviews 2016-02-05 The Slow, Meditative Optimism of Jillian Kay Ross Alex Bowron Features 2016-02-03 Back to the Future: The Social-Activist Architecture of Moshe Safdie Carol Strickland Features 2016-02-02 “How to Lie About Canadian Art”: A Case Study in Art Criticism Dick Averns Reviews 2016-01-29 The Incautious Abstractions of Erin Loree Randy Gladman Reviews 2016-01-26 Only at Home in a Paradox: M.C. Escher Gets His Artworld Due Becca Rothfeld Features 2016-01-25 How to See the Invisible Andrew Berardini Reviews 2016-01-21 Redefining the Sex in the Sale at Birch Contemporary Ulysses Castellanos Features 2016-01-15 Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota RM Vaughan Artnet News, Features 2016-01-14 Do You Have to Be Rich to Make It as an Artist? Ben Davis Features 2016-01-11 From Exile to Acclaim, the Unlikely Story of Mu Xin, and China’s Reformation Carol Strickland Reviews 2016-01-07 No Land in Sight: A Timely Response to the Migrant Crisis from Denmark’s SUPERFLEX Earl Miller Reviews 2016-01-05 Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal Owen Duffy Features 2016-01-04 Any Plans After the Exhibition? Orit Gat
