Reviews 2017-12-21 Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen Casey Beal Reviews 2017-12-15 Crocodile Tears: Ed Atkins and the Crisis of Pathetic Masculinity Mitch Speed Podcast 2017-12-12 Momus: The Podcast (Episode 2): The Artist Residency Sky Goodden Podcast 2017-12-12 The Artist Residency – Ep. 02 Momus Reviews 2017-12-06 Does the Sublime Know Change? Updating Landscape for the Anthropocene Riva Symko Features, Reviews 2017-12-01 Darkling Futures and Desert Hangover at the New SITE Sante Fe Andrew Berardini Features 2017-11-28 Against Tidy Memory: Anti-Fascist Memorials and the Horror of Kitsch Kristian Vistrup Madsen Reviews 2017-11-23 Everybody Knows: Prada Foundation’s Stylish Cynicism Catherine G. Wagley Features 2017-11-21 Privilege as Political Tool: Tania Bruguera on the Usefulness of Art Merray Michael Mina Reviews 2017-11-17 Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9” Mitch Speed Reviews 2017-11-14 Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry Mark Mann Artnet News, Reviews 2017-11-07 “Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History Catherine G. Wagley Reviews 2017-11-03 How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia Jordan Amirkhani Features 2017-10-30 Real Bodies: A Tribute to Linda Nochlin Aruna D’Souza Reviews 2017-10-23 Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin Mitch Speed Features 2017-10-18 Seeking a More Intimate Fair with /edition’s Paul Butler Sky Goodden Reviews 2017-10-13 Remnant Intuition: Contemporary Turns on the Grace of Still Life E.C. Woodley Reviews 2017-10-12 White Like Me: Encountering Divya Mehra’s “You have to tell Them, i’m not a Racist” Mark Mann Reviews 2017-10-06 The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey Juan José Santos Reviews 2017-10-04 Do Androids Dream of Representative Art? Kanad Chakrabarti Features, Reviews 2017-09-27 Fake News, Bad Art Tausif Noor Features 2017-09-22 For Common and Decent Things: Resisting Co-opted “Collaboration” Owen Duffy Features 2017-09-20 Spoiled Roots: Mark Bradford and the Erasure of Community Catherine G. Wagley 4Columns, Reviews 2017-09-15 The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show Aruna D’Souza Reviews 2017-09-14 Performance Art Blows Open the Prairies, in “Stages” Mitch Speed Reviews 2017-09-06 The Five Disappearances of Tammi Campbell Mark Mann Features 2017-08-21 Momus Best-Of Volume 3: 2016-17 Sky Goodden Reviews 2017-08-16 A Shattered Mirror: Geoffrey Farmer’s Disobedient Object in Venice Andrew Witt Features 2017-08-11 Free to Care Less: On the Cynicism of “Starting a Conversation” Casey Beal Features, Reviews 2017-08-09 Place, Space, or Backdrop: The Dilemma of Desert X, the “Coachella Biennial” Monica Westin Features, Reviews 2017-08-02 Post-Confessional: The Aging Intimacies of Sophie Calle Sarah Burke Features 2017-07-28 How to Act Ethically in Art Andrew Berardini Reviews 2017-07-26 Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos” Rob Goyanes Features 2017-07-20 Mourning Jimmie Durham Aruna D’Souza Features, Reviews 2017-07-18 That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles Philip Monk Artnet News, Features 2017-07-14 Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again Ben Davis Features, Reviews 2017-07-13 The Intimate Dangers of Reading Georgia O’Keeffe Through a Blouse Melissa Wyse Features, Reviews 2017-07-07 “Made in Germany”: Can the Artworld Have a Nation? Kristian Vistrup Madsen Reviews 2017-07-05 Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens” Alison Hugill Features 2017-06-29 White Space, Black Spectacle at MASS MoCA Aruna D’Souza Reviews 2017-06-27 Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris Philip Monk Features, Reviews 2017-06-22 Wu Tsang, Eileen Myles, and Me: Reading Zoe Leonard’s “I Want a President” Mitch Speed Reviews 2017-06-21 Sound/Off: Uneasy Listening at documenta 14 in Kassel Tausif Noor Reviews 2017-06-14 “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project Joseph Henry Reviews 2017-06-08 The Abject Intimacies of Chris Curreri Sky Goodden Reviews 2017-06-07 The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism Rahel Aima Features 2017-06-02 “Everyone’s Heart is Full of Fire”: A Portrait of Martha Kirszenbaum, Curator Andrew Berardini Features, Reviews 2017-05-30 A Parasitic ‘joie de vivre’ in “Viva Arte Viva” Mitch Speed Features, Podcast 2017-05-25 Momus: The Podcast: The Venice Biennale Sky Goodden Reviews 2017-05-19 Invasiveness and Indigeneity: Alicia Escott’s Complicit Critique Monica Westin Reviews 2017-05-17 What Happened to the Anthropocene? Searching the 57th Venice Biennale for Signs of Destruction John Holten Reviews 2017-05-12 “Science Truth” and Fearless Feminism in Lynn Hershman Leeson’s “Civic Radar” Wendy Vogel Features 2017-05-10 “She Comes in Colors”: A Portrait of Sarah Cain, Painter Andrew Berardini Features, Reviews 2017-05-05 Gallerist Virginia Dwan, the Reluctant Legend Catherine G. Wagley Reviews 2017-05-02 Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise Kristian Vistrup Madsen Artnet News, Features 2017-04-28 “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017) Ben Davis Features 2017-04-26 The Tonal Ambivalence of Feminist Land Art Retreat Alison Hugill Reviews 2017-04-20 The Inevitable Cannibalization of Institutional Critique: Surveying Michael Asher and Christopher D’Arcangelo in L.A. Hyunjee Nicole Kim Features 2017-04-14 The Enduring Popularity of Fictional Critic “Madame Realism” Mitch Speed Artnet News, Reviews 2017-04-12 Hannah Black Transcends the Dana Schutz Controversy with a Slow-Burn MoMA PS1 Performance Terence Trouillot Reviews 2017-04-07 What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things” Casey Beal Features 2017-04-05 An Elegy for Beau Dick (1955–2017) Candice Hopkins Features 2017-03-28 How To Write a Review Andrew Berardini Reviews 2017-03-24 Stay on It: Maintaining Julius Eastman’s Radical Desire Mitch Speed Reviews 2017-03-22 Where the Bodies Go: Lili Huston-Herterich’s Poem to the Power of Community Sky Goodden Features, Tate Etc. 2017-03-17 Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate Richard Wentworth Features 2017-03-15 The Double-Bind in Raqs Media Collective’s Institutional Critique Tausif Noor Reviews 2017-03-10 Forcing the Fortuitous: Tacita Dean Searches for Luck Juan José Santos Features 2017-03-08 What Is an Art Fair Doing Asking “What Is To Be Done?” Sky Goodden Reviews 2017-03-03 As Both Dancer and Texter: Julien Prévieux Choreographs Our Changing Bodies Fabien Maltais-Bayda Features, Reviews 2017-03-01 “A Self-Implicated Search”: Reviewing Robert Linsley’s Final Book Mitch Speed Reviews 2017-02-24 The Pulsing Body Wants of Jasmine Reimer Sky Goodden Reviews 2017-02-22 How Do We Decolonize Desire? Evelyn Taocheng Wang Massages Difficult Truths at Château Shatto Hyunjee Nicole Kim Reviews 2017-02-17 With the Logic of Vegas, the Seduction of Art: Hadar Kleiman’s Cheap Desirability in San Francisco Monica Westin Reviews 2017-02-14 Where the Party Is: Mark Leckey’s Vernacular, Autobiographical Tour Through Pop Sam Korman Artnet News, Features 2017-02-13 Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention Ben Davis Features 2017-02-09 Cassils and the Complicated Rhetoric of the Hero Emily Vey Duke Reviews 2017-02-03 Drones, by Design: Mahwish Chishty and the Politics of Representation Tausif Noor Features 2017-01-31 The Many Faces of Brian O’Doherty Mitch Speed Reviews 2017-01-26 “Liberation and Consumption”: Surveying Korean Art in the ’90s Alison Hugill Features 2017-01-24 Jill Magid’s Post-Truth Diamond Proposal Kimberlee Córdova Reviews 2017-01-19 Feeling Good, Feeling Bad: The Self-Help Vibrations of Patrick Howlett Heather White Artnet News, Features 2017-01-17 New Books: Gauguin and Proust Meet at the Border of Painting and Literature Jonathon Sturgeon Features 2017-01-12 Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados Fabien Maltais-Bayda Reviews 2017-01-11 The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now? Sky Goodden Reviews 2017-01-06 The Atmospheric Pressure in “Reading” Barbara Bloom Mitch Speed Reviews 2017-01-04 Her Sex and Her Medium Exploded: Coming to Terms with Pipilotti Rist Jane Cavalier
