Reviews Dec 21, 2018 Sky Goodden Shannon Bool Traces the Women of Algiers Reviews Dec 17, 2018 Tausif Noor Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer Features, Reviews Dec 12, 2018 Maru Pabón How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction Features, Reviews Dec 7, 2018 Catherine G. Wagley The Bold Refusal of lauren woods’s “American Monument” Features, Reviews Dec 4, 2018 Elliat Albrecht Marilyn Minter’s Co-opted Desire Features, Reviews Nov 27, 2018 Andy Patton A Frieze in Rome: William Kentridge Updates Augustus, Tangling Time Reviews Nov 23, 2018 Mark Cheetham Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial Reviews Nov 20, 2018 Philip Monk Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay Features Nov 13, 2018 Sky Goodden “In the Round of Her Need”: An Interview with Ambera Wellmann Reviews Nov 7, 2018 Caitlin Chaisson The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times Reviews Nov 2, 2018 Kristian Vistrup Madsen Archeology and Ambivalence at Austria’s Steirischer Herbst Festival Features, Podcast Oct 30, 2018 Momus Episode 7: “Over, Again and Again,” Renewing Canada’s Artist-Run Culture Uncategorized Oct 30, 2018 Momus “Over, Again and Again” Renewing Canada’s Artist-Run Culture – Ep. 07 Reviews Oct 24, 2018 Riva Symko Unsettling Borders: The “Greater West” Recolonized Features, Reviews Oct 17, 2018 Rahel Aima An Exhibit in an Email: Vimeo Links, PR, and Posturing by Proxy 4Columns, Reviews Oct 10, 2018 Johanna Fateman Now More Than Ever: Sarah Lucas’s Provocations, Renewed Reviews Oct 3, 2018 Michele Pearson Clarke Pinning Whiteness to the Wall: The Violent Theater of Rosalind Fox Solomon Features, Podcast Sep 29, 2018 Momus Episode 5: Conflict of Interest with Catherine G. Wagley and Tyler Green Features, Podcast Sep 29, 2018 Momus Episode 6: An Ethics of Abundance with Jacob Wren and Dayna Danger Uncategorized Sep 29, 2018 Momus An Ethics of Abundance with Jacob Wren and Dayna Danger – Ep. 06 Reviews Sep 28, 2018 Erica Dawn Lyle A Study in American Denial: David Wojnarowicz’s Return to the Piers Features, Reviews Sep 20, 2018 Jonelle Mannion Carolee Schneemann’s Ethics of Eros Features, Podcast Sep 17, 2018 Momus Episode 5: Conflict of Interest with Tyler Green and Catherine G. Wagley Uncategorized Sep 17, 2018 Momus Conflict of Interest with Tyler Green and Catherine G. Wagley – Ep. 05 Artnet News, Features Sep 13, 2018 Naomi Rea Confronting Gender Imbalance at the Rencontres d’Arles Features Sep 7, 2018 Momus A Return to What? Reviews Sep 5, 2018 Philip Monk O Narciso: The Streets Look Back at Hudinilson Jr. Features, Podcast Aug 31, 2018 Momus Episode 4: Art and Technology Criticism with Nora Khan and Mike Pepi Uncategorized Aug 29, 2018 Momus Art and Technology Criticism with Nora Khan – Ep. 04 Features Aug 28, 2018 Josh Thorpe A Pile of Dirt Features, Podcast Aug 13, 2018 Momus Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin Features Aug 10, 2018 Catherine G. Wagley What to Do About Klaus: How Arts Communities Assert Their Agency Reviews Aug 7, 2018 Andrew Berardini Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann Reviews Aug 2, 2018 Maura Callahan A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny Features, Reviews Jul 27, 2018 Saelan Twerdy Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads Reviews Jul 25, 2018 Mitch Speed Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus Reviews Jul 17, 2018 Max L. Feldman Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns Features Jul 13, 2018 Jon Davies Traumatizing the Museum: An Interview with Joshua Schwebel Reviews Jul 6, 2018 Kristian Vistrup Madsen Courting Exhaustion: Manifesta’s Dog Days Reviews Jun 29, 2018 Elliat Albrecht Chinese Futures for American Eyes at the Guggenheim Reviews Jun 27, 2018 Juan José Santos Behind the Curtain: Beatriz González’s Political-Decorative Art Reviews Jun 23, 2018 Alison Hugill Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice Reviews Jun 19, 2018 Mark Mann Me For You: The Modest Directives of Ho Tam and Rainer Ganahl Features Jun 15, 2018 Andy Patton The Manner of Their Dying Artnet News, Features Jun 12, 2018 Momus What Will Art Look Like in 100 Years? Sixteen Contemporary Artists Predict the Future Reviews Jun 8, 2018 Casey Beal “Whitewalling,” Mishearing, and Translating Protest Reviews Jun 2, 2018 Sky Goodden An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism Reviews Jun 1, 2018 Saelan Twerdy Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time Features May 31, 2018 Phillip Barcio The Politics of Contemporary Abstraction: A Conversation with Clare Rojas and Jeffrey Gibson Reviews May 24, 2018 Tausif Noor Are We Being Preached To? Adrian Piper’s Prompts at the MoMA Features May 18, 2018 Andrew Berardini How to Make Art History Reviews May 11, 2018 Charlie Markbreiter Nick Mauss’s Continental Divide Artnet News, Reviews May 10, 2018 Eleanor Heartney Irreligious Icons: Superficial Heresy at the Met Features, Reviews May 4, 2018 Mitch Speed What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern Features, Reviews Apr 30, 2018 Catherine G. Wagley Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A. Features, Reviews Apr 26, 2018 Thea Ballard New Forms for New Crises: The Need for a New Ecological Representation Reviews Apr 18, 2018 Christina Catherine Martinez Embarrassed Celebrity: Laurie Simmons’s Feature Debut Features Apr 9, 2018 Andrew Berardini How to Stop Working Better Features, Tate Etc. Apr 5, 2018 Laura Smith Virginia Woolf: Thinking Back Through Our Mothers at the Tate Features Mar 30, 2018 Melanie Janisse-Barlow Too, Too Solid Flesh: An Interview-Collage with Judith Supine Artnet News, Features Mar 26, 2018 Ben Davis An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde Features, Reviews Mar 23, 2018 Mark Mann The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive Features Mar 21, 2018 Aruna D’Souza Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing Reviews Mar 15, 2018 Sky Goodden Painting “From Here”: Susanna Heller at Olga Korper Reviews Mar 15, 2018 Sky Goodden Naming “Where is Here”: Ed Zelenak at Christopher Cutts Features Mar 13, 2018 Momus America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018) Features Mar 9, 2018 Mitch Speed “More Than Those Who Despised Her”: Unforgetting on the Prairies Reviews Mar 3, 2018 Marcus Civin The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself” Reviews Feb 28, 2018 Kathryn Lloyd No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing Features Feb 22, 2018 Andrew Berardini How to Toil in Obscurity 4Columns, Reviews Feb 19, 2018 Eva Díaz Faulty Infrastructure: New Orleans’s Triennial Can’t Commit Reviews Feb 13, 2018 Mark Mann Maria Hupfield Returns to the Beginning Features, Reviews Feb 9, 2018 Mitch Speed Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity Reviews Feb 7, 2018 Rahel Aima “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize Features Jan 31, 2018 Raymond Gervais The Listening Gaze: Raymond Gervais (1946-2018) Uncategorized Jan 30, 2018 Sky Goodden The Venice Biennale – Ep. 01 Features, Reviews Jan 23, 2018 Ulysses Castellanos From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square” Reviews Jan 16, 2018 Juan José Santos Freeing Latin American Art from Eurocentric Curating Artnet News, Features Jan 12, 2018 Hettie Judah “Seen Anything Good?” The Burden of Biennial Excess Features Jan 9, 2018 Saelan Twerdy “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal
