Reviews 2018-12-21 Shannon Bool Traces the Women of Algiers Sky Goodden Reviews 2018-12-17 Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer Tausif Noor Features, Reviews 2018-12-12 How a Dynasty Defines Taste: The Deep Roots of Middle Eastern Abstraction Maru Pabón Features, Reviews 2018-12-07 The Bold Refusal of lauren woods’s “American Monument” Catherine G. Wagley Features, Reviews 2018-12-04 Marilyn Minter’s Co-opted Desire Elliat Albrecht Features, Reviews 2018-11-27 A Frieze in Rome: William Kentridge Updates Augustus, Tangling Time Andy Patton Reviews 2018-11-23 Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial Mark Cheetham Reviews 2018-11-20 Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay Philip Monk Features 2018-11-13 “In the Round of Her Need”: An Interview with Ambera Wellmann Sky Goodden Reviews 2018-11-07 The Curtain’s Part: Confronting Abstraction’s Complacency in Unquiet Times Caitlin Chaisson Reviews 2018-11-02 Archeology and Ambivalence at Austria’s Steirischer Herbst Festival Kristian Vistrup Madsen Features, Podcast 2018-10-30 Episode 7: “Over, Again and Again,” Renewing Canada’s Artist-Run Culture Momus Uncategorized 2018-10-30 “Over, Again and Again” Renewing Canada’s Artist-Run Culture – Ep. 07 Momus Reviews 2018-10-24 Unsettling Borders: The “Greater West” Recolonized Riva Symko Features, Reviews 2018-10-17 An Exhibit in an Email: Vimeo Links, PR, and Posturing by Proxy Rahel Aima 4Columns, Reviews 2018-10-10 Now More Than Ever: Sarah Lucas’s Provocations, Renewed Johanna Fateman Reviews 2018-10-03 Pinning Whiteness to the Wall: The Violent Theater of Rosalind Fox Solomon Michele Pearson Clarke Features, Podcast 2018-09-29 Episode 5: Conflict of Interest with Catherine G. Wagley and Tyler Green Momus Features, Podcast 2018-09-29 Episode 6: An Ethics of Abundance with Jacob Wren and Dayna Danger Momus Uncategorized 2018-09-29 An Ethics of Abundance with Jacob Wren and Dayna Danger – Ep. 06 Momus Reviews 2018-09-28 A Study in American Denial: David Wojnarowicz’s Return to the Piers Erica Dawn Lyle Features, Reviews 2018-09-20 Carolee Schneemann’s Ethics of Eros Jonelle Mannion Features, Podcast 2018-09-17 Episode 5: Conflict of Interest with Tyler Green and Catherine G. Wagley Momus Uncategorized 2018-09-17 Conflict of Interest with Tyler Green and Catherine G. Wagley – Ep. 05 Momus Artnet News, Features 2018-09-13 Confronting Gender Imbalance at the Rencontres d’Arles Naomi Rea Features 2018-09-07 A Return to What? Momus Reviews 2018-09-05 O Narciso: The Streets Look Back at Hudinilson Jr. Philip Monk Features, Podcast 2018-08-31 Episode 4: Art and Technology Criticism with Nora Khan and Mike Pepi Momus Uncategorized 2018-08-29 Art and Technology Criticism with Nora Khan – Ep. 04 Momus Features 2018-08-28 A Pile of Dirt Josh Thorpe Features, Podcast 2018-08-13 Episode 3: Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin Momus Features 2018-08-10 What to Do About Klaus: How Arts Communities Assert Their Agency Catherine G. Wagley Reviews 2018-08-07 Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann Andrew Berardini Reviews 2018-08-02 A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny Maura Callahan Features, Reviews 2018-07-27 Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads Saelan Twerdy Reviews 2018-07-25 Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus Mitch Speed Reviews 2018-07-17 Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns Max L. Feldman Features 2018-07-13 Traumatizing the Museum: An Interview with Joshua Schwebel Jon Davies Reviews 2018-07-06 Courting Exhaustion: Manifesta’s Dog Days Kristian Vistrup Madsen Reviews 2018-06-29 Chinese Futures for American Eyes at the Guggenheim Elliat Albrecht Reviews 2018-06-27 Behind the Curtain: Beatriz González’s Political-Decorative Art Juan José Santos Reviews 2018-06-23 Cruising for Sex in the Garden of Eden: Architecture and Desire in Venice Alison Hugill Reviews 2018-06-19 Me For You: The Modest Directives of Ho Tam and Rainer Ganahl Mark Mann Features 2018-06-15 The Manner of Their Dying Andy Patton Artnet News, Features 2018-06-12 What Will Art Look Like in 100 Years? Sixteen Contemporary Artists Predict the Future Momus Reviews 2018-06-08 “Whitewalling,” Mishearing, and Translating Protest Casey Beal Reviews 2018-06-02 An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism Sky Goodden Reviews 2018-06-01 Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time Saelan Twerdy Features 2018-05-31 The Politics of Contemporary Abstraction: A Conversation with Clare Rojas and Jeffrey Gibson Phillip Barcio Reviews 2018-05-24 Are We Being Preached To? Adrian Piper’s Prompts at the MoMA Tausif Noor Features 2018-05-18 How to Make Art History Andrew Berardini Reviews 2018-05-11 Nick Mauss’s Continental Divide Charlie Markbreiter Artnet News, Reviews 2018-05-10 Irreligious Icons: Superficial Heresy at the Met Eleanor Heartney Features, Reviews 2018-05-04 What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern Mitch Speed Features, Reviews 2018-04-30 Think of Harald’s Position: Weighing Szeemann’s Obsessions in L.A. Catherine G. Wagley Features, Reviews 2018-04-26 New Forms for New Crises: The Need for a New Ecological Representation Thea Ballard Reviews 2018-04-18 Embarrassed Celebrity: Laurie Simmons’s Feature Debut Christina Catherine Martinez Features 2018-04-09 How to Stop Working Better Andrew Berardini Features, Tate Etc. 2018-04-05 Virginia Woolf: Thinking Back Through Our Mothers at the Tate Laura Smith Features 2018-03-30 Too, Too Solid Flesh: An Interview-Collage with Judith Supine Melanie Janisse-Barlow Artnet News, Features 2018-03-26 An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde Ben Davis Features, Reviews 2018-03-23 The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive Mark Mann Features 2018-03-21 Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing Aruna D’Souza Reviews 2018-03-15 Painting “From Here”: Susanna Heller at Olga Korper Sky Goodden Reviews 2018-03-15 Naming “Where is Here”: Ed Zelenak at Christopher Cutts Sky Goodden Features 2018-03-13 America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018) Momus Features 2018-03-09 “More Than Those Who Despised Her”: Unforgetting on the Prairies Mitch Speed Reviews 2018-03-03 The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself” Marcus Civin Reviews 2018-02-28 No Measure of Health: Ilona Sagar Scans the Politics of Wellbeing Kathryn Lloyd Features 2018-02-22 How to Toil in Obscurity Andrew Berardini 4Columns, Reviews 2018-02-19 Faulty Infrastructure: New Orleans’s Triennial Can’t Commit Eva Díaz Reviews 2018-02-13 Maria Hupfield Returns to the Beginning Mark Mann Features, Reviews 2018-02-09 Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity Mitch Speed Reviews 2018-02-07 “Afrogallonism” Takes Dubai: South-South Solidarity and the Urge to Exoticize Rahel Aima Features 2018-01-31 The Listening Gaze: Raymond Gervais (1946-2018) Raymond Gervais Uncategorized 2018-01-30 The Venice Biennale – Ep. 01 Sky Goodden Features, Reviews 2018-01-23 From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square” Ulysses Castellanos Reviews 2018-01-16 Freeing Latin American Art from Eurocentric Curating Juan José Santos Artnet News, Features 2018-01-12 “Seen Anything Good?” The Burden of Biennial Excess Hettie Judah Features 2018-01-09 “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal Saelan Twerdy
