Reviews Dec 21, 2019 Tao Fei In the Waiting Room: The Sticky, Slippery Duration of “Sick Time” Features Dec 19, 2019 Giancarlo Roma Land and Landlessness: A Conversation with Larry Towell Features Dec 17, 2019 Mitch Speed Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art Features Dec 13, 2019 James Kirkpatrick The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick Features Dec 2, 2019 Mark Mann It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art Features, Podcast Nov 29, 2019 Momus Episode 15: “What Makes Great Art?” with Isabel Lewis Uncategorized Nov 29, 2019 Momus “What Makes Great Art?” with Isabel Lewis – Ep. 15 Reviews Nov 25, 2019 Vince Rozario Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame Reviews Nov 22, 2019 Grace Hadland John Boskovich Steers His Own “Recovery” Reviews Nov 14, 2019 David Balzer A Provisional Biennial Amid Istanbul’s Endless Restoration Reviews Nov 5, 2019 Mitch Speed Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real Reviews Nov 4, 2019 Maru Pabón Fantastic Emissions: Mika Rottenberg’s Labor of Mystification Features Oct 28, 2019 Kimberlee Córdova Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven Features, Podcast Oct 23, 2019 Momus Episode 14: “What Makes Great Art?” with Jarrett Earnest Uncategorized Oct 22, 2019 Momus “What Makes Great Art?” with Jarrett Earnest – Ep. 14 Art Basel, Features Oct 18, 2019 Sky Goodden The Future Wandering of Tau Lewis Reviews Oct 18, 2019 Rhiannon Vogl The Tautological Reeling of Young & Giroux Reviews Oct 10, 2019 Alison Hugill The Eerie Optimization of “Self-Care” Decor Reviews Oct 2, 2019 Andrew Berardini The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles Features, Studio Sep 27, 2019 Anj Fermor Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney Podcast Sep 23, 2019 Momus Episode 13: “What Makes Great Art?” with Francis McKee Uncategorized Sep 22, 2019 Momus “What Makes Great Art?” with Francis McKee – Ep. 13 Reviews Sep 17, 2019 Vince Rozario The Thread of the Weave: Meaning from Material at Oakville Galleries Burnaway, Features Sep 16, 2019 Jasmine Amussen Art and Labor: Writers Bloc Features Sep 12, 2019 Josh Thorpe A Crit of the Crit Features Sep 3, 2019 Catherine G. Wagley Learning as Supporting: Alternatives for Futures in Art Education Features Aug 20, 2019 Andy Patton Notes on a Crisis in Beauty Features, Podcast Aug 6, 2019 Momus Episode 12: “What Makes Great Art?” with Katerina Gregos Uncategorized Aug 6, 2019 Momus “What Makes Great Art?” with Katerina Gregos – Ep. 12 Features, Reviews Aug 1, 2019 Joseph Henry Love and Loneliness: Queering Modernisms in Figurative Painting Artnet News, Features Jul 27, 2019 Ben Davis How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect Reviews Jul 26, 2019 Mitch Speed Wire and String: Olga Balema’s Sinewy Abjection Features Jul 23, 2019 Momus “We Need More Voices”: Introducing the Momus Emerging Critics Residency Canadian Art, Features Jul 18, 2019 Momus Remembering Katharine Mulherin Reviews Jul 16, 2019 Rahel Aima Firing Blanks: Hito Steyerl and the Voiding of Research Art Artnet News, Features Jul 5, 2019 Ben Davis Where Do We Go From Here? Dubious Wealth and Ethical Funding Features, Podcast Jun 27, 2019 Momus Episode 11: “What Makes Great Art?” with Jinn Bronwen Lee Uncategorized Jun 27, 2019 Momus “What Makes Great Art?” with Jinn Bronwen Lee – Ep. 11 Reviews Jun 22, 2019 Ulysses Castellanos The Totemic Quotidian in Roula Partheniou Features, Reviews Jun 19, 2019 Jessica Rizzo Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation Features, Reviews Jun 12, 2019 Saelan Twerdy Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism Artnet News, Features Jun 7, 2019 Hettie Judah “I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution Reviews Jun 5, 2019 Tausif Noor The Faces That You Meet: Huma Bhabha’s Close Encounters Reviews May 31, 2019 Lori Waxman From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought Features May 30, 2019 Anique Jordan and Michèle Pearson Clarke “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke Features, Podcast May 23, 2019 Momus Episode 10: “What Makes Great Art?” with Dushko Petrovich Uncategorized May 22, 2019 Momus “What Makes Great Art?” with Dushko Petrovich – Ep. 10 Reviews May 17, 2019 Sky Goodden Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six Features, Reviews May 15, 2019 Wendy Vogel “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance Features, Reviews May 8, 2019 Kristian Vistrup Madsen One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus Artnet News, Features May 3, 2019 Melissa Smith Invisible Labor and Black Burnout Features, Reviews May 1, 2019 Mitch Speed The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia Reviews Apr 27, 2019 Sky Goodden Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic Reviews Apr 24, 2019 Erin Silver From Dust to Light: On Photography’s Material Traces Reviews Apr 19, 2019 Matthew Joseph Irwin The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract” Reviews Apr 16, 2019 Alison Hugill Applying “Applied Art”: Gropius Bau Mines Old Division Under New Direction Features, Podcast Apr 8, 2019 Momus “What Makes Great Art?”: Momus: The Podcast with Osei Bonsu (Episode 9) Uncategorized Apr 8, 2019 Momus “What Makes Great Art?” with Osei Bonsu – Ep. 09 Features Apr 1, 2019 Catherine G. Wagley “But Can a Spirit Burn?”: Alternatives for Art Under Capital Reviews Mar 28, 2019 Vince Rozario Deeper Wounds: Nep Sidhu and Aestheticizing Trauma Artnet News, Features Mar 27, 2019 Terence Trouillot “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar Reviews Mar 20, 2019 Casey Beal The Substance of Grief: Nelson Henricks Deepens the Black Page Reviews Mar 15, 2019 Catherine G. Wagley The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes Burnaway, Reviews Mar 15, 2019 Maura Callahan More Culture than Capital: Modesty and Ambition at the Atlanta Biennial Features, Podcast Mar 8, 2019 Momus “What Makes Great Art?” with Jeanne Randolph and Sheila Heti (Episode 8) Uncategorized Mar 7, 2019 Momus “What Makes Great Art?” with Jeanne Randolph and Sheila Heti – Ep. 08 Features Mar 7, 2019 Julia Pelta Feldman Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason Burnaway, Features Mar 4, 2019 Paul Michael Brown Searching for Lemon Boy Reviews Feb 22, 2019 Casey Beal Can Words “Bounce”? A Complicated Resilience on Vancouver Island Features Feb 20, 2019 Sky Goodden The Seductive Branding of Phoebe Greenberg Reviews Feb 14, 2019 Christina Cuthbertson Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh Features, Reviews Feb 12, 2019 Mitch Speed Ana Mendieta’s Death is Not a Metaphor Reviews Feb 1, 2019 Kanad Chakrabarti Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine Artnet News, Reviews Jan 31, 2019 Ben Davis “Velvet Buzzsaw” Should Terrify the Artworld Features Jan 25, 2019 Owen Duffy The Picture of Terror: Contemporary Art and the Islamic State Features, Reviews Jan 21, 2019 Sky Goodden Bad Faith in MOCA Toronto’s Inaugural Show, “Believe” Features, Reviews Jan 16, 2019 Mitch Speed What’s Wrong with a Fairly Good Biennial? Reviews Jan 11, 2019 Wendy Vogel Signal and Noise: Sara Eliassen and the Visual Roots of Fascism Reviews Jan 10, 2019 Earl Miller The 57th Carnegie International Wanders in Search of “Museum Joy”
