Reviews 2019-12-21 In the Waiting Room: The Sticky, Slippery Duration of “Sick Time” Tao Fei Features 2019-12-19 Land and Landlessness: A Conversation with Larry Towell Giancarlo Roma Features 2019-12-17 Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art Mitch Speed Features 2019-12-13 The Signs for Where We Meet: A Conversation Between Robert Fones and James Kirkpatrick James Kirkpatrick Features 2019-12-02 It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art Mark Mann Features, Podcast 2019-11-29 Episode 15: “What Makes Great Art?” with Isabel Lewis Momus Uncategorized 2019-11-29 “What Makes Great Art?” with Isabel Lewis – Ep. 15 Momus Reviews 2019-11-25 Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame Vince Rozario Reviews 2019-11-22 John Boskovich Steers His Own “Recovery” Grace Hadland Reviews 2019-11-14 A Provisional Biennial Amid Istanbul’s Endless Restoration David Balzer Reviews 2019-11-05 Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real Mitch Speed Reviews 2019-11-04 Fantastic Emissions: Mika Rottenberg’s Labor of Mystification Maru Pabón Features 2019-10-28 Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven Kimberlee Córdova Features, Podcast 2019-10-23 Episode 14: “What Makes Great Art?” with Jarrett Earnest Momus Uncategorized 2019-10-22 “What Makes Great Art?” with Jarrett Earnest – Ep. 14 Momus Art Basel, Features 2019-10-18 The Future Wandering of Tau Lewis Sky Goodden Reviews 2019-10-18 The Tautological Reeling of Young & Giroux Rhiannon Vogl Reviews 2019-10-10 The Eerie Optimization of “Self-Care” Decor Alison Hugill Reviews 2019-10-02 The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles Andrew Berardini Features, Studio 2019-09-27 Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney Anj Fermor Podcast 2019-09-23 Episode 13: “What Makes Great Art?” with Francis McKee Momus Uncategorized 2019-09-22 “What Makes Great Art?” with Francis McKee – Ep. 13 Momus Reviews 2019-09-17 The Thread of the Weave: Meaning from Material at Oakville Galleries Vince Rozario Burnaway, Features 2019-09-16 Art and Labor: Writers Bloc Jasmine Amussen Features 2019-09-12 A Crit of the Crit Josh Thorpe Features 2019-09-03 Learning as Supporting: Alternatives for Futures in Art Education Catherine G. Wagley Features 2019-08-20 Notes on a Crisis in Beauty Andy Patton Features, Podcast 2019-08-06 Episode 12: “What Makes Great Art?” with Katerina Gregos Momus Uncategorized 2019-08-06 “What Makes Great Art?” with Katerina Gregos – Ep. 12 Momus Features, Reviews 2019-08-01 Love and Loneliness: Queering Modernisms in Figurative Painting Joseph Henry Artnet News, Features 2019-07-27 How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect Ben Davis Reviews 2019-07-26 Wire and String: Olga Balema’s Sinewy Abjection Mitch Speed Features 2019-07-23 “We Need More Voices”: Introducing the Momus Emerging Critics Residency Momus Canadian Art, Features 2019-07-18 Remembering Katharine Mulherin Momus Reviews 2019-07-16 Firing Blanks: Hito Steyerl and the Voiding of Research Art Rahel Aima Artnet News, Features 2019-07-05 Where Do We Go From Here? Dubious Wealth and Ethical Funding Ben Davis Features, Podcast 2019-06-27 Episode 11: “What Makes Great Art?” with Jinn Bronwen Lee Momus Uncategorized 2019-06-27 “What Makes Great Art?” with Jinn Bronwen Lee – Ep. 11 Momus Reviews 2019-06-22 The Totemic Quotidian in Roula Partheniou Ulysses Castellanos Features, Reviews 2019-06-19 Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation Jessica Rizzo Features, Reviews 2019-06-12 Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism Saelan Twerdy Artnet News, Features 2019-06-07 “I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution Hettie Judah Reviews 2019-06-05 The Faces That You Meet: Huma Bhabha’s Close Encounters Tausif Noor Reviews 2019-05-31 From a Cabin in the Woods: Dieter Roelstraete’s “HUTOPIA” and the Shelters of Thought Lori Waxman Features 2019-05-30 “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke Anique Jordan and Michèle Pearson Clarke Features, Podcast 2019-05-23 Episode 10: “What Makes Great Art?” with Dushko Petrovich Momus Uncategorized 2019-05-22 “What Makes Great Art?” with Dushko Petrovich – Ep. 10 Momus Reviews 2019-05-17 Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six Sky Goodden Features, Reviews 2019-05-15 “This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance Wendy Vogel Features, Reviews 2019-05-08 One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus Kristian Vistrup Madsen Artnet News, Features 2019-05-03 Invisible Labor and Black Burnout Melissa Smith Features, Reviews 2019-05-01 The Erotics of Liberty: Dorothy Iannone’s Cultivated Bohemia Mitch Speed Reviews 2019-04-27 Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic Sky Goodden Reviews 2019-04-24 From Dust to Light: On Photography’s Material Traces Erin Silver Reviews 2019-04-19 The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract” Matthew Joseph Irwin Reviews 2019-04-16 Applying “Applied Art”: Gropius Bau Mines Old Division Under New Direction Alison Hugill Features, Podcast 2019-04-08 “What Makes Great Art?”: Momus: The Podcast with Osei Bonsu (Episode 9) Momus Uncategorized 2019-04-08 “What Makes Great Art?” with Osei Bonsu – Ep. 09 Momus Features 2019-04-01 “But Can a Spirit Burn?”: Alternatives for Art Under Capital Catherine G. Wagley Reviews 2019-03-28 Deeper Wounds: Nep Sidhu and Aestheticizing Trauma Vince Rozario Artnet News, Features 2019-03-27 “So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar Terence Trouillot Reviews 2019-03-20 The Substance of Grief: Nelson Henricks Deepens the Black Page Casey Beal Reviews 2019-03-15 The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes Catherine G. Wagley Burnaway, Reviews 2019-03-15 More Culture than Capital: Modesty and Ambition at the Atlanta Biennial Maura Callahan Features, Podcast 2019-03-08 “What Makes Great Art?” with Jeanne Randolph and Sheila Heti (Episode 8) Momus Uncategorized 2019-03-07 “What Makes Great Art?” with Jeanne Randolph and Sheila Heti – Ep. 08 Momus Features 2019-03-07 Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason Julia Pelta Feldman Burnaway, Features 2019-03-04 Searching for Lemon Boy Paul Michael Brown Reviews 2019-02-22 Can Words “Bounce”? A Complicated Resilience on Vancouver Island Casey Beal Features 2019-02-20 The Seductive Branding of Phoebe Greenberg Sky Goodden Reviews 2019-02-14 Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh Christina Cuthbertson Features, Reviews 2019-02-12 Ana Mendieta’s Death is Not a Metaphor Mitch Speed Reviews 2019-02-01 Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine Kanad Chakrabarti Artnet News, Reviews 2019-01-31 “Velvet Buzzsaw” Should Terrify the Artworld Ben Davis Features 2019-01-25 The Picture of Terror: Contemporary Art and the Islamic State Owen Duffy Features, Reviews 2019-01-21 Bad Faith in MOCA Toronto’s Inaugural Show, “Believe” Sky Goodden Features, Reviews 2019-01-16 What’s Wrong with a Fairly Good Biennial? Mitch Speed Reviews 2019-01-11 Signal and Noise: Sara Eliassen and the Visual Roots of Fascism Wendy Vogel Reviews 2019-01-10 The 57th Carnegie International Wanders in Search of “Museum Joy” Earl Miller
