Features Dec 22, 2022 Momus “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery Reviews Dec 19, 2022 Megan Switzer Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black Features, Reviews Dec 10, 2022 Rahel Aima and Catherine G. Wagley Reviewing the Reviews: Documenta 15 Reviews Nov 21, 2022 Calum Sutherland The Remains of the Day: Nadia Belerique in Glasgow Features, Reviews Nov 18, 2022 Shazia Hafiz Ramji Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity Features Nov 8, 2022 Diana SeoHyung A Distance That I Cannot Seem to Close Features Nov 2, 2022 Ayodeji Rotinwa Preoccupied with Things Left Behind: On Three Nigerian Artists Features Oct 26, 2022 Catherine G. Wagley On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen Features Oct 3, 2022 Denisa Tomková How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár Features, Reviews Sep 23, 2022 Julie Weitz Relocating Trauma at the Venice Biennale Features Aug 29, 2022 Abhijan Toto “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine Features Aug 3, 2022 Camille Bacon Rearrange: Torkwase Dyson and Black Feminist Breathing Features Jul 19, 2022 Nora Rosenthal The Final Fart: A Meditation on Hannah Wilke’s Last Work Features, Reviews Jul 8, 2022 Jayne Wilkinson Against Nations Features Jun 23, 2022 Vijay Masharani Akram Zaatari: Dance to the End of Love Reviews Jun 16, 2022 Neil Price Wayne Salmon’s Portraits of Black Belonging in Kensington Market Features, Reviews Jun 3, 2022 Siera Hyte Where Do Dreams Live? Features May 26, 2022 Kamayani Sharma Hypoxia and Hope Reviews May 20, 2022 Constanza Salazar Mimi Ọnụọha: Making Data Matter Features May 10, 2022 Elisabeth Nicula The Artist Is the Void Features May 2, 2022 Michael McCanne Mary Mattingly’s Way to Adapt Features Apr 28, 2022 Dana Kopel Proving the Rule: The “Exceptionalism” Problem with Art-World Labor Features Apr 21, 2022 Hua Xi Colossal Harbingers: The Monumentalism of Art About Climate Change Reviews Apr 12, 2022 Jocelyn Parr A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics Features Apr 4, 2022 Calum Sutherland “I Wish We Could Reach for New Language”: An Interview with Sky Goodden Features, Reviews Mar 22, 2022 Geoffrey Mak An Ascetic Pose: Avery Singer’s New Refusal Podcast Mar 18, 2022 Momus Season 5, Episode 4: Raimundas Malašauskas Features, Reviews Mar 17, 2022 Saelan Twerdy Plague Medicine: Reading Avocado Ibuprofen in a Pandemic Reviews Mar 7, 2022 Maddie Klett The Historical Invention of Gala Porras-Kim Features Mar 3, 2022 Erica Dawn Lyle “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy Features Feb 24, 2022 Simon Wu On Whiteness Features Feb 23, 2022 Amin Alsaden Breathing Resistance: An Interview with Sahar Te Features, Reviews Feb 17, 2022 Del O’Brien Oliver Lee Jackson, the People’s Painter Reviews Feb 16, 2022 Ashley Raghubir Caribbean Being and Becoming in “Fragments of Epic Memory” Reviews Feb 9, 2022 Tammer El-Sheikh The Bodies That Scramble India’s “Constitutions” Reviews Jan 28, 2022 Meredyth Cole The Anxious Nostalgia of Steven Shearer Features, Podcast Jan 28, 2022 Momus Season 5, Episode 3: Dana Kopel Reviews Jan 21, 2022 Adrienne Huard Seeking Specificity in Postcommodity Features Jan 10, 2022 Danielle Wu Plant People