Features 2022-12-22 “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery Momus Reviews 2022-12-19 Common Boundaries and Refused Exits: Aman Sandhu and Andrew Black Megan Switzer Features, Reviews 2022-12-10 Reviewing the Reviews: Documenta 15 Rahel Aima and Catherine G. Wagley Reviews 2022-11-21 The Remains of the Day: Nadia Belerique in Glasgow Calum Sutherland Features, Reviews 2022-11-18 Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity Shazia Hafiz Ramji Features 2022-11-08 A Distance That I Cannot Seem to Close Diana SeoHyung Features 2022-11-02 Preoccupied with Things Left Behind: On Three Nigerian Artists Ayodeji Rotinwa Features 2022-10-26 On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen Catherine G. Wagley Features 2022-10-03 How Does a Collective End? An Interview with Robert Gabris and Ľuboš Kotlár Denisa Tomková Features, Reviews 2022-09-23 Relocating Trauma at the Venice Biennale Julie Weitz Features 2022-08-29 “Name What is Unnamed”: Geocinema on Diarying the War in Ukraine Abhijan Toto Features 2022-08-03 Rearrange: Torkwase Dyson and Black Feminist Breathing Camille Bacon Features 2022-07-19 The Final Fart: A Meditation on Hannah Wilke’s Last Work Nora Rosenthal Features, Reviews 2022-07-08 Against Nations Jayne Wilkinson Features 2022-06-23 Akram Zaatari: Dance to the End of Love Vijay Masharani Reviews 2022-06-16 Wayne Salmon’s Portraits of Black Belonging in Kensington Market Neil Price Features, Reviews 2022-06-03 Where Do Dreams Live? Siera Hyte Features 2022-05-26 Hypoxia and Hope Kamayani Sharma Reviews 2022-05-20 Mimi Ọnụọha: Making Data Matter Constanza Salazar Features 2022-05-10 The Artist Is the Void Elisabeth Nicula Features 2022-05-02 Mary Mattingly’s Way to Adapt Michael McCanne Features 2022-04-28 Proving the Rule: The “Exceptionalism” Problem with Art-World Labor Dana Kopel Features 2022-04-21 Colossal Harbingers: The Monumentalism of Art About Climate Change Hua Xi Reviews 2022-04-12 A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics Jocelyn Parr Features 2022-04-04 “I Wish We Could Reach for New Language”: An Interview with Sky Goodden Calum Sutherland Features, Reviews 2022-03-22 An Ascetic Pose: Avery Singer’s New Refusal Geoffrey Mak Podcast 2022-03-18 Season 5, Episode 4: Raimundas Malašauskas Momus Features, Reviews 2022-03-17 Plague Medicine: Reading Avocado Ibuprofen in a Pandemic Saelan Twerdy Reviews 2022-03-07 The Historical Invention of Gala Porras-Kim Maddie Klett Features 2022-03-03 “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy Erica Dawn Lyle Features 2022-02-24 On Whiteness Simon Wu Features 2022-02-23 Breathing Resistance: An Interview with Sahar Te Amin Alsaden Features, Reviews 2022-02-17 Oliver Lee Jackson, the People’s Painter Del O’Brien Reviews 2022-02-16 Caribbean Being and Becoming in “Fragments of Epic Memory” Ashley Raghubir Reviews 2022-02-09 The Bodies That Scramble India’s “Constitutions” Tammer El-Sheikh Reviews 2022-01-28 The Anxious Nostalgia of Steven Shearer Meredyth Cole Features, Podcast 2022-01-28 Season 5, Episode 3: Dana Kopel Momus Reviews 2022-01-21 Seeking Specificity in Postcommodity Adrienne Huard Features 2022-01-10 Plant People Danielle Wu
