Reviews Dec 12, 2023 Eliza Swann They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith Features, Reviews Nov 30, 2023 Jenny Wu Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude Features Nov 23, 2023 Minh Nguyen Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy Reviews Nov 14, 2023 M. Folescu From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin Reviews Nov 9, 2023 Michael Dango Fought Through Women’s Bodies: Mona Hatoum’s Early Performances Reviews Nov 2, 2023 Margaret Carrigan Claire Morgan’s “Dead Weight” in Paris Reviews Oct 27, 2023 Yasmine Whaley-Kalaora A Goodbye to Former Selves: Uncategorizing Sonja Ahlers Features Oct 16, 2023 Cassie Packard Tracking the Sapphic Social Imaginaries: Lesbian Art in Print Reviews Sep 20, 2023 Ruth Gebreyesus Christina Sharpe’s Perpetual Present Features Sep 8, 2023 Simon Wu “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color Features, Reviews Aug 22, 2023 Elisabeth Nicula We’re Alive, Pablo Is Dead Features, Reviews Aug 5, 2023 Leo Cocar The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain Features Jul 28, 2023 Doreen A. Rios Dataspace: From the Observed Object to the Participating Subject Features Jul 18, 2023 Mimi Wong The Art of Accumulation in an Age of Decluttering Features Jul 11, 2023 Jessica Lynne June Clark’s Perseverance of Memory Features, Reviews Jun 15, 2023 Rouzbeh Shadpey A Clinic the Size of the World Reviews Jun 8, 2023 X. Amy Zhang An Alien Echo at the Gwangju Biennale Reviews Jun 1, 2023 Tiana Reid Between Language and Cure: Athena Papadopoulos at MOCA Toronto Features, Reviews May 25, 2023 Kate Wolf Working It Features May 22, 2023 Arushi Vats Evidence of Things Seen*: Capture and Control in India Features, Reviews May 2, 2023 Elisabeth Nicula Bad Reviews Features Apr 29, 2023 Momus Momus & Forge Project Announce Participants of “Estuaries” Features Apr 28, 2023 Summer Kim Lee and Catalina Ouyang Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang Reviews Apr 19, 2023 Chelsea Rozansky Azza El Siddique Summons Life Beyond Death Features, Reviews Apr 12, 2023 Jenny Wu Solitary: Collective Authorship and its Discontents Reviews Mar 29, 2023 Philipp Hindahl The New World Looks Like the Old One: DYOR at Kunsthalle Zürich Reviews Mar 22, 2023 Andrew Russeth Never Risky: Seeking New Life at the Singapore Biennale Reviews Mar 15, 2023 Darla Migan The Soft Syncretism of Tau Lewis Reviews Mar 9, 2023 Sterre Barentsen The Preserving Machine of Matthias Groebel Reviews Mar 2, 2023 Neil Price Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women Reviews Feb 23, 2023 Alex Borkowski Violence and Vibes Haunt Museum London’s “Spectral” Features Feb 21, 2023 Jade Meili Barget Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace Features Feb 16, 2023 Eliza Swann Failure in Infinitives: A Remembrance of Bernadette Mayer Reviews Feb 12, 2023 Ryan Ferko “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo Features, Reviews Feb 7, 2023 Ella Dawn McGeough It’s All About Good Timing: Goodwater at the Plumb Features Jan 31, 2023 Catherine G. Wagley All Positions Possible: Simone Forti Across Time, Through Community Reviews Jan 24, 2023 Chelsea Rozansky Mia Sandhu Holds the Gaze Hostage Features, Reviews Jan 6, 2023 Jenny Wu Portrait of the Artist as a Young Thief
