Reviews 2023-12-12 They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith Eliza Swann Features, Reviews 2023-11-30 Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude Jenny Wu Features 2023-11-23 Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Memory Educational Legacy Minh Nguyen Reviews 2023-11-14 From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin M. Folescu Reviews 2023-11-09 Fought Through Women’s Bodies: Mona Hatoum’s Early Performances Michael Dango Reviews 2023-11-02 Claire Morgan’s “Dead Weight” in Paris Margaret Carrigan Reviews 2023-10-27 A Goodbye to Former Selves: Uncategorizing Sonja Ahlers Yasmine Whaley-Kalaora Features 2023-10-16 Tracking the Sapphic Social Imaginaries: Lesbian Art in Print Cassie Packard Reviews 2023-09-20 Christina Sharpe’s Perpetual Present Ruth Gebreyesus Features 2023-09-08 “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color Simon Wu Features, Reviews 2023-08-22 We’re Alive, Pablo Is Dead Elisabeth Nicula Features, Reviews 2023-08-05 The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain Leo Cocar Features 2023-07-28 Dataspace: From the Observed Object to the Participating Subject Doreen A. Rios Features 2023-07-18 The Art of Accumulation in an Age of Decluttering Mimi Wong Features 2023-07-11 June Clark’s Perseverance of Memory Jessica Lynne Features, Reviews 2023-06-15 A Clinic the Size of the World Rouzbeh Shadpey Reviews 2023-06-08 An Alien Echo at the Gwangju Biennale X. Amy Zhang Reviews 2023-06-01 Between Language and Cure: Athena Papadopoulos at MOCA Toronto Tiana Reid Features, Reviews 2023-05-25 Working It Kate Wolf Features 2023-05-22 Evidence of Things Seen*: Capture and Control in India Arushi Vats Features, Reviews 2023-05-02 Bad Reviews Elisabeth Nicula Features 2023-04-29 Momus & Forge Project Announce Participants of “Estuaries” Momus Features 2023-04-28 Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang Summer Kim Lee and Catalina Ouyang Reviews 2023-04-19 Azza El Siddique Summons Life Beyond Death Chelsea Rozansky Features, Reviews 2023-04-12 Solitary: Collective Authorship and its Discontents Jenny Wu Reviews 2023-03-29 The New World Looks Like the Old One: DYOR at Kunsthalle Zürich Philipp Hindahl Reviews 2023-03-22 Never Risky: Seeking New Life at the Singapore Biennale Andrew Russeth Reviews 2023-03-15 The Soft Syncretism of Tau Lewis Darla Migan Reviews 2023-03-09 The Preserving Machine of Matthias Groebel Sterre Barentsen Reviews 2023-03-02 Out of Necessity and Out of Love: Andrea Fatona’s 30-Year Tribute to Black Canadian Women Neil Price Reviews 2023-02-23 Violence and Vibes Haunt Museum London’s “Spectral” Alex Borkowski Features 2023-02-21 Submerged Mothers: On Thuy-Han Nguyen-Chi’s Tidal Embrace Jade Meili Barget Features 2023-02-16 Failure in Infinitives: A Remembrance of Bernadette Mayer Eliza Swann Reviews 2023-02-12 “The Non-Places Are the Places”: Manifesta 14’s Uneasy Presence in Kosovo Ryan Ferko Features, Reviews 2023-02-07 It’s All About Good Timing: Goodwater at the Plumb Ella Dawn McGeough Features 2023-01-31 All Positions Possible: Simone Forti Across Time, Through Community Catherine G. Wagley Reviews 2023-01-24 Mia Sandhu Holds the Gaze Hostage Chelsea Rozansky Features, Reviews 2023-01-06 Portrait of the Artist as a Young Thief Jenny Wu
