TODO / CONTRIBUTIONS TO MOMUS PROGRAMS
[todo:contributions]
Writer
- Last Night a DJ Saved My Life: On Artists and Survival
- The Orgasmic Capacity of Color: Judy Chicago’s Los Angeles
- Wealth and Lust in Monaco: The Sensuous Illusions of Tom Wesselmann
- How to Make Art History
- How to Stop Working Better
- How to Toil in Obscurity
- Darkling Futures and Desert Hangover at the New SITE Sante Fe
- How to Act Ethically in Art
- “Everyone’s Heart is Full of Fire”: A Portrait of Martha Kirszenbaum, Curator
- “She Comes in Colors”: A Portrait of Sarah Cain, Painter
- How To Write a Review
- “If I Ventured in the Slipstream”: Tamara Henderson’s Nomadic Encampment at REDCAT
- How to Hang a Picture
- How to FOMO: Missing Out On the Fear of Missing Out
- Stardust Tears: Sojourner Truth Parsons’s “Crying in California”
- The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin
- How to Become a Curator
- How To Be an Unprofessional Artist
- How to See the Invisible
- How to Art Fair
- How to Read an Art Magazine
- A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe
- How To See a Sunset
- How to Start an Art School
- In Praise of Good Art Writing
- How to Survive International Art: Notes from the Poverty Jetset
- “He Did Not Ring My Head Like a Bell”: Reviewing Geoffrey Farmer
- How to Write About Contemporary Art
Guest
PLACEHOLDER : Person page: bottom
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