Writing by Ben Davis (30)
TODO / CONTRIBUTIONS TO MOMUS PROGRAMS
[todo:contributions]
Writer
- “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
- With Sharper Tools: Defending the National Endowment for the Arts
- How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
- Where Do We Go From Here? Dubious Wealth and Ethical Funding
- “Velvet Buzzsaw” Should Terrify the Artworld
- An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
- Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
- “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)
- Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
- Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
- After Brexit, Art Must Break Out of Its Bubble
- Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
- The Pantomimed Fellowship of Nicole Eisenman’s “Al-ugh-ories”
- “I Wanted to Find a Way to Respond”: Artist Ben Quilty on Working with Refugees
- The State of the Artworld, Explained
- The Hermetic Lyricism of Anri Sala
- Do You Have to Be Rich to Make It as an Artist?
- The Most Important Art Essays of the Year
- Beware the “Creative Economy”
- The Meaning Behind the Merger of ARTnews and Art in America
- After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity
- The Whitney’s Triumphant New Museum is Worrying For Art
- In “Martin Wong: Painting is Forbidden,” the Wattis Institute Largely Sidesteps Painting
- Is the iPhone a Blessing or a Curse for Art?
- MoMA “Steps on a Nail” with Bad Björk Show
- What On Kawara’s Analog Wisdom at the Guggenheim Has to Offer a Digital World
- Loris Gréaud Smashes the Mold for Museum Shows
- Why I Believe New York’s Art Scene Is Doomed
- 30 Art-Writing Clichés to Ditch in the New Year
- After Ferguson, A New Protest Culture’s Challenge to Art
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