TODO / CONTRIBUTIONS TO MOMUS PROGRAMS
[todo:contributions]
Writer
- Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
- The Anxious “I”: Walter Scott’s Autofictional Universe
- The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
- After the Afterparty: Alan Belcher and Friends, in Retrospect
- Free Your Mind, or Else: “Acid Communism” and Contemporary Art’s Futurism
- Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
- Touch, Desire, and the Trinket Box: Celia Perrin Sidarous Shifts Time
- “Speaking from a Wound”: Jesse Darling on Faith, Crisis, and Refusal
- Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
- Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
- The Sadean Woman: Tricia Middleton and the Violence of Art
- This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
- Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
- Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia
- Year in Review: Montreal From the Ground Up
- Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
- Future Forecast: The Montreal Biennale 2014
- A Theory of Everything: On The State of Theory and Criticism (Part Two)
- A Theory of Everything: On the State of Theory and Criticism (Part One)
- How Curating Took Over the World: David Balzer’s Game-Changing “Curationism”
Guest
PLACEHOLDER : Person page: bottom
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