TODO / CONTRIBUTIONS TO MOMUS PROGRAMS
[todo:contributions]
Writer
- Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
- Prescient About Still-Active Threats, Marisol Is Right on Time
- Kelly Lycan’s Objects in Waiting
- trial
- Season 6, Episode 6: Jessica Lynne and Catherine G. Wagley
- Meeka Walsh
- Stringing the Net: An Interview with Small Arts Patron Annie Koyama
- Listening to Jeanne Randolph
- The Future Wandering of Tau Lewis
- An Arch and a Gulf: When Public Art Falls Short of Social Reality
- Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six
- Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic
- The Seductive Branding of Phoebe Greenberg
- Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
- Shannon Bool Traces the Women of Algiers
- “In the Round of Her Need”: An Interview with Ambera Wellmann
- Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin – Ep. 03
- Future of Art
- An Open Door, By the Lake: Nadia Belerique Advances Her Symbolism
- Naming “Where is Here”: Ed Zelenak at Christopher Cutts
- Painting “From Here”: Susanna Heller at Olga Korper
- The Venice Biennale – Ep. 01
- Momus: The Podcast (Episode 2): The Artist Residency
- Momus: The Podcast
- Seeking a More Intimate Fair with /edition’s Paul Butler
- Momus Best-Of Volume 3: 2016-17
- The Abject Intimacies of Chris Curreri
- Momus: The Podcast: The Venice Biennale
- Where the Bodies Go: Lili Huston-Herterich’s Poem to the Power of Community
- What Is an Art Fair Doing Asking “What Is To Be Done?”
- The Pulsing Body Wants of Jasmine Reimer
- The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?
- Grieving in L.A.
- Sara Cwynar Prepares Herself to Turn
- Clive Holden Grounds the Digital in Aura
- Mark Ruwedel’s Desert History, as Fugitive Present
- Momus Best-Of: Vol. 2 2015-16
- Momus Video Series: Orit Gat’s “If It Looks Like Zeitgeist, It Might be Anxiety: Art After the Internet”
- Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
- The Politics of Color in Kristine Moran
- A Parallel Landscape: Ned Pratt’s Abstract Sublime
- “You Can’t Win It”: Jon McCurley on the Art of Facebook
- In Search of Himself: Sky Glabush’s Mimetic Practice Drifts Into the Neo-Modernist Trend
- To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
- “I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
- The Problem of Access: An Interview with Emerging First Nations Artist Joseph Tisiga
- “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
- These Are Not Ideas; These Are Things: A Conversation with Liz Magor
- Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station
- Our Mutual Desire for Critical Change: Momus and Feature Art Fair
- Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time
- Interview: Lois Andison Talks Back to Male Modernists
- Momus “Best Of”: Vol. 1
- What Gets Revealed When Iris Häussler Finally Owns Her Name
- Chantal Pontbriand Will Not Curate Your Biennial: On “Demo-Graphics,” and Its Potential to Reignite Toronto
- A Rebuttal, Not a Conversation: Discussing Ombaasin’s AGO Intervention, “Land Rights Now”
- Post-Crisis: What’s Next for Art Criticism in a Digital Age
- Interview: Tacita Dean
- Wayne Baerwaldt on ACAD’s Dissolution of His Director/Curator Position: “It’s an Issue of Public Trust”
- A Future Never Sought: Okwui Enwezor’s 56th Venice Biennale
- Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography
- Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography
- Interview: The Difficulty in Distilling Suzy Lake
- Janet Werner’s Truer Subject, the Women Unseen
- The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
- Villa Toronto’s Failure and Provocation: How Do We Invite the Outside In?
- Interview: Pedro Reyes Reclaims the Politics in Art
- Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips
- A Ghostly Form: Scrap Metal Embraces Presence, Absence, and the Space Between
- The Future of Art Toronto, and How It Plans to Adapt
- Blue Republic Finds its Center
- Feature Art Fair’s Focus on the Art, and the Currents That Emerged
- Interview: Feature Art Fair Ramps Up
- Working with the Material at Hand: A Roundtable on Regionalism
- Interview: Ben Davis on Marxism, Criticism, and Contemporary Art
- Frank Mädler’s Fleeting Capture
- Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
- Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
Speaker
- Post/doc Spring 2025 Celebration and Launch with Momus
- The Milk of Dreams: Sky Goodden and Cecelia Alemani in conversation
- The Milk of Dreams: Sky Goodden and Cecelia Alemani in conversation
- The Milk of Dreams: Sky Goodden and Cecelia Alemani in conversation
- Charting an Inflection Point in Art Criticism & Publishing
- Charting an Inflection Point in Art Criticism & Publishing
- The Milk of Dreams: Sky Goodden and Cecelia Alemani in conversation
- The Milk of Dreams: Sky Goodden and Cecelia Alemani in conversation
- Charting an Inflection Point in Art Criticism & Publishing
Host
- Lara
- Dana Kopel
- Harry Dodge
- Emmanuel Iduma
- Kristian Vistrup Madsen
- Muna Mire & Tourmaline
- Nora N. Khan on “Within, Below, and Alongside”
- Alexandra Stock on “The Privileged, Violent Stunt”
- Rianna Jade Parker on “Letter from London”
- Léuli Eshrāghi on tagatavāsā
- Tausif Noor on “Hand in Glove”
- Nikki Columbus on “Guston Can Wait”
- “What’s Changed, and What Should?” with The White Pube
- “What’s Changed, and What Should?” with Sophia Al Maria
- “What’s Changed, and What Should?” with Ebony L. Haynes
- “What’s Changed, and What Should?” with Coco Fusco
- “What’s Changed, and What Should?” with Daniel Blanga Gubbay
- “What’s Changed, and What Should?” with Johanna Fateman
- “What’s Changed, and What Should?” with Alessandro Bava
- “What’s Changed, and What Should?” with Eleanor Nairne
- “What Makes Great Art?” with Margaux Williamson
- “What Makes Great Art?” with Isabel Lewis
- “What Makes Great Art?” with Jarrett Earnest
- “What Makes Great Art?” with Francis McKee
- “What Makes Great Art?” with Katerina Gregos
- “What Makes Great Art?” with Jinn Bronwen Lee
- “What Makes Great Art?” with Dushko Petrovich
- “What Makes Great Art?” with Osei Bonsu
- “What Makes Great Art?” with Jeanne Randolph and Sheila Heti
- “Over, Again and Again,” Renewing Canada’s Artist-Run Culture
- An Ethics of Abundance with Jacob Wren and Dayna Danger
- Conflict of Interest with Tyler Green and Catherine G. Wagley
- Art and Technology Criticism with Nora Khan and Mike Pepi
- Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
- The Venice Biennale
- “What’s Changed, and What Should?” with Daniel Blanga Gubbay
- The Venice Biennale
- The Venice Biennale
- The Venice Biennale
- The Venice Biennale
- The Artist Residency
- The Artist Residency
- The Artist Residency
- The Venice Biennale
- The Venice Biennale
- The Venice Biennale
- The Artist Residency
- Luther Konadu: "Any Friendship That Lasts Us Long"
- Luther Konadu: "Any Friendship That Lasts Us Long"
- Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
- The Venice Biennale
- The Venice Biennale
- Nasrin Himada
- Minh Nguyen and Tiana Reid
- The Venice Biennale
- The Venice Biennale
- The Artist Residency
- The Artist Residency
- Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
- The Venice Biennale
- The Venice Biennale
- The Venice Biennale
- Art Criticism vs. Journalism with Catherine G. Wagley and Julia Halperin
- The Artist Residency
- The Artist Residency
Mentor
PLACEHOLDER : Person page: bottom
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