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Reviews
March 12, 2026
Donasia Tillery
Surviving the Ache: Yifan Jiang at 56 Henry
Reviews
February 5, 2026
Lauren Stroh
Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute
Features
,
Reviews
January 29, 2026
Lisa Hsiao Chen
Authentically Vaginal: The Life Force of Vaginal Davis at PS1
Reviews
January 22, 2026
Luke Urbain
Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio
Features
December 3, 2025
Summer Kim Lee
,
TJ Shin
Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
Reviews
November 20, 2025
Emma Fiona Jones
Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
Reviews
November 13, 2025
Anna Aguiar Kosicki
Dare to Have Fun: Pixy Liao Plays with Gendered Power at the Art Institute of Chicago
Reviews
October 23, 2025
Caroline Picard
Fellow Members of an Unfolding Constellation: Leilah Babirye at the de Young
Features
October 16, 2025
Jade Meili Barget
Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure
Features
September 25, 2025
Elisa Wouk Almino
What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
Reviews
September 23, 2025
Lin Li
Myth and Reality Converge: Qiu Anxiong and Howie Tsui at Richmond Art Gallery
Reviews
September 11, 2025
Katie Lawson
“Staying with the Trouble” at the Helsinki Biennial: Challenges of Environmental Curating
Features
,
Reviews
September 4, 2025
Aaron Katzeman
Jeffrey Gibson Saves America
Features
August 21, 2025
Nasrin Himada
Programming the Diaspora: On How the Moving Image Shapes the Present
Features
August 14, 2025
Ramona Ngin
Love Letter Incinerators: Martin Wong’s Prison Paintings
Features
,
Reviews
August 1, 2025
Elizabeth Wiet
Jack Whitten, Human Xerox Machine
Features
July 25, 2025
Mimi Howard
“I Always Wanted to Participate”: In Conversation with Vijay Masharani
Features
July 10, 2025
Gervais Marsh
The Close-Up Reveals Nothing: How Deborah-Joyce Holman Complicates Interiority
Features
July 3, 2025
Jackson Davidow
A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
Reviews
June 26, 2025
MacKenzie River Foy
Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
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