• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Prescient About Still-Active Threats, Marisol Is Right on Time
    Reviews January 6, 2025
    Sky Goodden

    Prescient About Still-Active Threats, Marisol Is Right on Time

    The Possessions of Paul Pfeiffer
    Reviews July 11, 2024
    Simon Wu

    The Possessions of Paul Pfeiffer

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
    Reviews December 12, 2023
    Eliza Swann

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
    Features January 27, 2020
    Jarrett Earnest

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven
    Features October 28, 2019
    Kimberlee Córdova

    Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital
    Features April 1, 2019
    Catherine G. Wagley

    “But Can a Spirit Burn?”: Alternatives for Art Under Capital

    Behind the Curtain: Beatriz González’s Political-Decorative Art
    Reviews June 27, 2018
    Juan José Santos

    Behind the Curtain: Beatriz González’s Political-Decorative Art

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”
    Reviews March 3, 2018
    Marcus Civin

    The Hopeful Phantasmagoria of “The Museum Took a Few Minutes to Collect Itself”

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity
    Features, Reviews February 9, 2018
    Mitch Speed

    Dubious Icons: Godheads, Messiahs, and the Artist as Celebrity

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
    Features, Reviews January 23, 2018
    Ulysses Castellanos

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
    Reviews June 14, 2017
    Joseph Henry

    “All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
    Features February 13, 2017
    Ben Davis

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?
    Reviews January 11, 2017
    Sky Goodden

    The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto
    Features August 9, 2016
    Sky Goodden

    Interview: Paul Petro on Becoming the Legacy-Building, “Bent Identity Politics” Gallerist of Toronto

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)
    Features June 23, 2016
    Juan José Santos

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
    Reviews May 11, 2016
    Zoë Chan

    Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding

    The Humanist Impulse of Yousuf Karsh
    Reviews April 1, 2016
    Ulysses Castellanos

    The Humanist Impulse of Yousuf Karsh

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie
    Features March 9, 2016
    Liz Jobey

    Hold Still: A History of Performing for the Camera from Nadar to the Selfie

    How to See the Invisible
    Features January 25, 2016
    Andrew Berardini

    How to See the Invisible