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    Explore , or the
    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
    Reviews January 15, 2026
    Sky Goodden

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
    Reviews November 20, 2025
    Emma Fiona Jones

    Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front
    Reviews April 10, 2025
    Claire Geddes Bailey

    Intimacies Concealed and Performed: Katayoon Yousefbigloo and A Maior at Western Front

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    There is the Rising: Shelley Niro’s Reckoning Retrospective
    Reviews June 7, 2024
    Salma Hussain

    There is the Rising: Shelley Niro’s Reckoning Retrospective

    June Clark’s Perseverance of Memory
    Features July 11, 2023
    Jessica Lynne

    June Clark’s Perseverance of Memory

    Against Nations
    Features, Reviews July 8, 2022
    Jayne Wilkinson

    Against Nations

    Caribbean Being and Becoming in “Fragments of Epic Memory”
    Reviews February 16, 2022
    Ashley Raghubir

    Caribbean Being and Becoming in “Fragments of Epic Memory”

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
    Reviews February 4, 2020
    Tyler Muzzin

    The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Notes on a Crisis in Beauty
    Features August 20, 2019
    Andy Patton

    Notes on a Crisis in Beauty

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke
    Features May 30, 2019
    Anique Jordan, Michèle Pearson Clarke

    “Where Does Art Get To Live?”: A Conversation Between Anique Jordan and Michèle Pearson Clarke

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial
    Reviews November 23, 2018
    Mark Cheetham

    Branding the Anthropocene: Canada’s Art Institutions Privilege the Artificial

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    A House Divided: Theaster Gates’s Confused Beat at the AGO
    Reviews November 4, 2016
    Ulysses Castellanos

    A House Divided: Theaster Gates’s Confused Beat at the AGO

    Toronto the Good, in Two Histories
    Reviews October 26, 2016
    Philip Monk

    Toronto the Good, in Two Histories

    “You Can’t Win It”: Jon McCurley on the Art of Facebook
    Features April 7, 2016
    Sky Goodden

    “You Can’t Win It”: Jon McCurley on the Art of Facebook

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
    Features November 26, 2015
    Sky Goodden

    “It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure