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Features
July 17, 2025
Najrin Islam
A Note on Omission: Navigating Institutional Censorship and the Need for Repair
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The High Stakes of Nancy Holt’s Systems
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Jessica Lynne
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Catherine G. Wagley
Reviewing the Reviews: The 2024 Whitney Biennial
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Carmen Winant
Our Visuality: Abortion Care Work and Photography
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June 15, 2023
Rouzbeh Shadpey
A Clinic the Size of the World
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April 12, 2023
Jenny Wu
Solitary: Collective Authorship and its Discontents
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March 22, 2023
Andrew Russeth
Never Risky: Seeking New Life at the Singapore Biennale
Reviews
October 7, 2021
Melissa Lo
More than Not: LACMA’s “Not I” and the Necessity of History
Reviews
January 10, 2019
Earl Miller
The 57th Carnegie International Wanders in Search of “Museum Joy”
Reviews
July 6, 2018
Kristian Vistrup Madsen
Courting Exhaustion: Manifesta’s Dog Days
Features
January 12, 2018
Hettie Judah
“Seen Anything Good?” The Burden of Biennial Excess
Features
November 25, 2016
Hettie Judah
What’s Become of the “Curator”?
Features
November 10, 2015
Sky Goodden
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Benjamin Genocchio
,
James McAnally
,
Sarrita Hunn
The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
Reviews
November 10, 2014
Saelan Twerdy
Future Forecast: The Montreal Biennale 2014
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