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Features
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Reviews
August 15, 2024
Jessica Lynne
,
Catherine G. Wagley
Reviewing the Reviews: The 2024 Whitney Biennial
Features
,
Reviews
December 10, 2022
Rahel Aima and Catherine G. Wagley
Reviewing the Reviews: Documenta 15
Podcast
August 15, 2022
Season 5: Episode 7
"Making Art in Terrible Times" Ben Davis
Ben Davis
Features
September 17, 2021
Natalie Frank
Correcting for the Bawdy Rage of Paula Rego
Features
September 28, 2020
Ben Davis
“Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
Features
March 6, 2020
Ben Davis
With Sharper Tools: Defending the National Endowment for the Arts
Features
July 27, 2019
Ben Davis
How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Features
June 7, 2019
Hettie Judah
“I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
Features
May 3, 2019
Melissa Smith
Invisible Labor and Black Burnout
Features
March 27, 2019
Terence Trouillot
“So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar
Reviews
January 31, 2019
Ben Davis
“Velvet Buzzsaw” Should Terrify the Artworld
Features
September 13, 2018
Naomi Rea
Confronting Gender Imbalance at the Rencontres d’Arles
Reviews
May 10, 2018
Eleanor Heartney
Irreligious Icons: Superficial Heresy at the Met
Features
March 26, 2018
Ben Davis
An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde
Features
January 12, 2018
Hettie Judah
“Seen Anything Good?” The Burden of Biennial Excess
Podcast
September 17, 2018
Season 1: Episode 5
"Conflict of Interest" Tyler Green & Catherine G. Wagley
Catherine G. Wagley
,
Tyler Green
Podcast
August 11, 2018
Season 1: Episode 3
"Art Criticism vs. Journalism" Catherine G. Wagley & Julia Halperin
Catherine G. Wagley
,
Julia Halperin
Reviews
November 23, 2017
Catherine G. Wagley
Everybody Knows: Prada Foundation’s Stylish Cynicism
Reviews
November 7, 2017
Catherine G. Wagley
“Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
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