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Reviews
November 14, 2023
M. Folescu
From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin
Reviews
March 15, 2023
Darla Migan
The Soft Syncretism of Tau Lewis
Features
December 22, 2022
Sky Goodden
“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
Features
May 26, 2020
Jaclyn Bruneau
Artists in Isolation: Lynne Cohen and the Fullness of Empty Space
Reviews
November 5, 2019
Mitch Speed
Unequal Planes: Vancouver’s Architectural Clash of Ideal and Real
Features
,
Reviews
May 8, 2019
Kristian Vistrup Madsen
One Hundred Years of Ambivalence: The Many Legacies of the Bauhaus
Reviews
April 16, 2019
Alison Hugill
Applying “Applied Art”: Gropius Bau Mines Old Division Under New Direction
Reviews
May 2, 2017
Kristian Vistrup Madsen
Modernist Frederick Kiesler is “Rediscovered” Between Abstraction and Compromise
Reviews
June 1, 2016
Ben Davis
Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
Features
February 2, 2016
Dick Averns
“How to Lie About Canadian Art”: A Case Study in Art Criticism
Features
April 9, 2015
Sky Goodden
Interview: Curator Christopher Eamon Troubles the Shifting Form (and Relevance) of Photography
Reviews
February 16, 2015
Saelan Twerdy
Bad Dream of the Bauhaus: Juan Ortiz-Apuy’s IKEA Fantasia
Reviews
January 20, 2015
JJ Charlesworth
Can Abstract Art Still Be Radical?
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