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    Explore , or the
    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich
    Reviews March 29, 2023
    Philipp Hindahl

    The New World Looks Like the Old One: DYOR at Kunsthalle Zürich

    Reviewing the Reviews: Documenta 15
    Features, Reviews December 10, 2022
    Rahel Aima and Catherine G. Wagley

    Reviewing the Reviews: Documenta 15

    "Making Art in Terrible Times" Ben Davis
    Podcast August 15, 2022
    Season 5: Episode 7

    "Making Art in Terrible Times" Ben Davis
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    With Sharper Tools: Defending the National Endowment for the Arts
    Features March 6, 2020
    Ben Davis

    With Sharper Tools: Defending the National Endowment for the Arts

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    “Velvet Buzzsaw” Should Terrify the Artworld
    Reviews January 31, 2019
    Ben Davis

    “Velvet Buzzsaw” Should Terrify the Artworld

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
    Features, Reviews January 21, 2019
    Sky Goodden

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

    Features March 26, 2018
    Ben Davis

    An Always Fractured Order: Hal Foster’s Unromantic Avant-Garde

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”
    Features, Reviews January 23, 2018
    Ulysses Castellanos

    From Artworld Punchline to Real-World Parable: Ruben Östlund’s “The Square”

    “Seen Anything Good?” The Burden of Biennial Excess
    Features January 12, 2018
    Hettie Judah

    “Seen Anything Good?” The Burden of Biennial Excess

    Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again
    Features July 14, 2017
    Ben Davis

    Hélio Oiticica’s Journey From Art Visionary to Coke Dealer and Back Again

    A Parasitic ‘joie de vivre’ in “Viva Arte Viva”
    Features, Reviews May 30, 2017
    Mitch Speed

    A Parasitic ‘joie de vivre’ in “Viva Arte Viva”

    “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)
    Features April 28, 2017
    Ben Davis

    “The Only Things That are Unchangeable are Tombstones”: Vito Acconci (1940-2017)

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
    Features February 13, 2017
    Ben Davis

    Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
    Reviews September 20, 2016
    Ben Davis

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum

    After Brexit, Art Must Break Out of Its Bubble
    Features June 30, 2016
    Ben Davis

    After Brexit, Art Must Break Out of Its Bubble

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
    Reviews June 1, 2016
    Ben Davis

    Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy