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    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    Solitary: Collective Authorship and its Discontents
    Features, Reviews April 12, 2023
    Jenny Wu

    Solitary: Collective Authorship and its Discontents

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
    Features December 22, 2022
    Sky Goodden

    “We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity
    Features, Reviews November 18, 2022
    Shazia Hafiz Ramji

    Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complicity

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty
    Features, Reviews January 17, 2020
    David Balzer

    Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame
    Reviews November 25, 2019
    Vince Rozario

    Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney
    Features September 27, 2019
    Anj Fermor

    Context, Tokenism, and Trans Solidarity: An Interview with Dan Cardinal McCartney

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
    Reviews March 28, 2019
    Vince Rozario

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern
    Features, Reviews May 4, 2018
    Mitch Speed

    What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board
    Features March 4, 2016
    Mitch Speed

    Does the Right Hand Cover for the Left?: The Case of the Remai Modern and Its Errant Board

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism