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    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality
    Features June 11, 2020
    Sky Goodden, Casey Beal

    Black Lives Matter: Momus’s Commitment to the Movement Against Racial Inequality

    Artists in Isolation: Adad Hannah’s Tableaux Vivants
    Features April 1, 2020
    Adad Hannah

    Artists in Isolation: Adad Hannah’s Tableaux Vivants

    Momus Emerging Critics Residency 2019

    Residency August 26–30, 2019
    “We Need More Voices”: Introducing the Momus Emerging Critics Residency
    Features July 23, 2019
    Sky Goodden, Amelia Wong-Mersereau

    “We Need More Voices”: Introducing the Momus Emerging Critics Residency

    The Substance of Grief: Nelson Henricks Deepens the Black Page
    Reviews March 20, 2019
    Casey Beal

    The Substance of Grief: Nelson Henricks Deepens the Black Page

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island
    Reviews February 22, 2019
    Casey Beal

    Can Words “Bounce”? A Complicated Resilience on Vancouver Island

    A Return to What?
    Features September 7, 2018
    Sky Goodden, Casey Beal

    A Return to What?

    “Whitewalling,” Mishearing, and Translating Protest
    Reviews June 8, 2018
    Casey Beal

    “Whitewalling,” Mishearing, and Translating Protest

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    Momus Best-Of Volume 3: 2016-17
    Features August 21, 2017
    Sky Goodden

    Momus Best-Of Volume 3: 2016-17

    Free to Care Less: On the Cynicism of “Starting a Conversation”
    Features August 11, 2017
    Casey Beal

    Free to Care Less: On the Cynicism of “Starting a Conversation”

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter
    Features May 10, 2017
    Andrew Berardini

    “She Comes in Colors”: A Portrait of Sarah Cain, Painter

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”
    Reviews April 7, 2017
    Casey Beal

    What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”