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Features
April 2, 2026
Harley Wong
Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Reviews
August 8, 2024
Annette LePique
Paul Chan’s “Breathers” Turns Away
Features
May 30, 2024
Maya Mackrandilal
Radical Looking: Newly Seeing Art With My Baby
Features
March 9, 2024
Kate Wolf
She Was Paying Attention: Remembering Alexis Smith
Features
July 28, 2023
Doreen A. Rios
Dataspace: From the Observed Object to the Participating Subject
Features
,
Reviews
June 15, 2023
Rouzbeh Shadpey
A Clinic the Size of the World
Features
,
Reviews
May 2, 2023
Elisabeth Nicula
Bad Reviews
Features
,
Reviews
February 7, 2023
Ella Dawn McGeough
It’s All About Good Timing: Goodwater at the Plumb
Features
,
Reviews
September 23, 2022
Julie Weitz
Relocating Trauma at the Venice Biennale
Reviews
November 4, 2021
Jayne Wilkinson
An Aesthetic of Enough
Features
August 16, 2021
Simon Wu
Cameron Rowland’s Property Relations
Reviews
June 25, 2021
Max Pearl
Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
Features
April 30, 2021
Jason Stopa
“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
Features
,
Reviews
March 23, 2021
Minh Nguyen
Imagination Over Submission: Luis Camnitzer’s Liberatory Art Education
Reviews
January 10, 2020
Saelan Twerdy
After the Afterparty: Alan Belcher and Friends, in Retrospect
Reviews
January 8, 2020
Andy Patton
The Art We Deserve: Luc Tuymans’s Exhausted Image
Reviews
July 26, 2019
Mitch Speed
Wire and String: Olga Balema’s Sinewy Abjection
Features
,
Reviews
June 19, 2019
Jessica Rizzo
Can a Lobby Be Subversive? Jenny Holzer’s Comcast Capitulation
Features
July 13, 2018
Jon Davies
,
Joshua Schwebel
Traumatizing the Museum: An Interview with Joshua Schwebel
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