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Reviews
June 26, 2025
MacKenzie River Foy
Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Reviews
March 29, 2023
Philipp Hindahl
The New World Looks Like the Old One: DYOR at Kunsthalle Zürich
Reviews
November 14, 2019
David Balzer
A Provisional Biennial Amid Istanbul’s Endless Restoration
Features
June 7, 2019
Hettie Judah
“I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
Reviews
December 17, 2018
Tausif Noor
Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer
Features
,
Reviews
September 27, 2017
Tausif Noor
Fake News, Bad Art
Reviews
January 26, 2017
Alison Hugill
“Liberation and Consumption”: Surveying Korean Art in the ’90s
Features
January 12, 2017
Fabien Maltais-Bayda
Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
Features
,
Reviews
November 22, 2016
Saelan Twerdy
Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
Features
November 10, 2016
Christian Viveros-Fauné
A Culture War is Coming
Reviews
August 3, 2016
Mitch Speed
The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
Features
February 16, 2016
Sky Goodden
“I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
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