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    A Note on Omission: Navigating Institutional Censorship and the Need for Repair
    Features July 17, 2025
    Najrin Islam

    A Note on Omission: Navigating Institutional Censorship and the Need for Repair

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto
    Reviews June 1, 2023
    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market
    Reviews June 16, 2022
    Neil Price

    Wayne Salmon’s Portraits of Black Belonging in Kensington Market

    “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy
    Features March 3, 2022
    Erica Dawn Lyle

    “It’s All About Desire”: hannah baer and Erica Dawn Lyle Talk Trans Freedom and Joy

    Losing Ground in Singapore’s State-Curated Digital Age
    Features December 21, 2021
    Eunice Lacaste

    Losing Ground in Singapore’s State-Curated Digital Age

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns
    Features July 12, 2021
    Steph Wong Ken

    Imperfect Archives: Lilian Leung and Linda Zhang Virtually Capture Eroding Chinatowns

    See You on the Other Side: Matthew Wong’s Vistas of the Mind
    Features April 1, 2021
    Lauren DiGiulio

    See You on the Other Side: Matthew Wong’s Vistas of the Mind

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne
    Features December 15, 2020
    Candice Pye

    “Finding My Voice When Others Would Have Kept it Down”: Introducing Indigenous Artist-Run Center, daphne

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    Artists in Isolation: Nadège Grebmeier Forget’s “Some Kind of Game”
    Features May 5, 2020
    Magdalena Olszanowski

    Artists in Isolation: Nadège Grebmeier Forget’s “Some Kind of Game”

    Artists in Isolation: There Have Always Been Signs
    Features April 27, 2020
    Tao Fei

    Artists in Isolation: There Have Always Been Signs

    Artists in Isolation: Instagram, Leave Us to Our Darkness
    Features April 24, 2020
    Mark Mann

    Artists in Isolation: Instagram, Leave Us to Our Darkness

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art
    Features December 17, 2019
    Mitch Speed

    Let Them Eat Crystal: Rodney Graham and the Bankruptcy of Ironic Art

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    What to Do About Klaus: How Arts Communities Assert Their Agency
    Features August 10, 2018
    Catherine G. Wagley

    What to Do About Klaus: How Arts Communities Assert Their Agency

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl
    Reviews June 19, 2018
    Mark Mann

    Me For You: The Modest Directives of Ho Tam and Rainer Ganahl

    “Whitewalling,” Mishearing, and Translating Protest
    Reviews June 8, 2018
    Casey Beal

    “Whitewalling,” Mishearing, and Translating Protest

    How to Stop Working Better
    Features April 9, 2018
    Andrew Berardini

    How to Stop Working Better