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Features
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Reviews
November 30, 2023
Jenny Wu
Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Reviews
November 23, 2021
Laura August
Across This Fraught Place: Survivance at the 2021 Texas Biennial
Features
January 27, 2020
Jarrett Earnest
Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
Reviews
June 14, 2017
Joseph Henry
“All Awareness Becomes Base”: Jens Hoffmann’s Reduction of The Arcades Project
Features
March 2, 2016
Ben Davis
The State of the Artworld, Explained
Features
February 16, 2016
Sky Goodden
“I Think We’re Changing Into a Tribal Nation”: A Conversation with Dave Hickey on “25 Women”
Reviews
January 21, 2016
Ulysses Castellanos
Redefining the Sex in the Sale at Birch Contemporary
Features
December 22, 2015
Ben Davis
The Most Important Art Essays of the Year
Features
November 26, 2015
Sky Goodden
“It‘s Like Deciding to Cut Off a Leg and Keep Walking”: Jessica Bradley On Her Controversial Closure
Features
July 6, 2015
RM Vaughan
It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
Features
June 24, 2015
Sheila Heti
Sheila Heti Interviews John Currin on the Fun, Beautiful Things
Reviews
March 24, 2015
Chloe Wyma
Girls Gone Viral: Anicka Yi’s Pathological Feminism
Reviews
February 25, 2015
Sky Goodden
Janet Werner’s Truer Subject, the Women Unseen
Reviews
January 8, 2015
Joseph Henry
Querying the New Appropriation Art: Is This Cynicism?
Features
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Reviews
November 13, 2014
Maya Harakawa
Independent Projects Extends on the “Curated Fair,” with Mixed Results
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