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    Explore , or the
    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
    Features December 3, 2025
    Summer Kim Lee, TJ Shin

    Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion

    Love Letter Incinerators: Martin Wong’s Prison Paintings
    Features August 14, 2025
    Ramona Ngin

    Love Letter Incinerators: Martin Wong’s Prison Paintings

    Peter Hujar’s Still Life in Motion
    Reviews August 28, 2024
    Miciah Hussey

    Peter Hujar’s Still Life in Motion

    A Clinic the Size of the World
    Features, Reviews June 15, 2023
    Rouzbeh Shadpey

    A Clinic the Size of the World

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
    Features April 28, 2023
    Catalina Ouyang, Summer Kim Lee

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang

    Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six
    Reviews May 17, 2019
    Sky Goodden

    Grafting the Baroque: The Scaled-Up Frames of David Armstrong Six

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
    Reviews July 17, 2018
    Max L. Feldman

    Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles
    Features, Reviews July 18, 2017
    Philip Monk

    That’s the Way to Do It!: The Fairy Tale Life of Ydessa Hendeles

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    A Theory of Everything: On the State of Theory and Criticism (Part One)
    Features October 30, 2014
    Saelan Twerdy

    A Theory of Everything: On the State of Theory and Criticism (Part One)