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Features
July 3, 2025
Jackson Davidow
A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
Reviews
October 7, 2021
Melissa Lo
More than Not: LACMA’s “Not I” and the Necessity of History
Features
August 14, 2020
Jesse Birch
Chance Elements: On Wayne Ngan (1937-2020)
Features
April 24, 2020
Mark Mann
Artists in Isolation: Instagram, Leave Us to Our Darkness
Reviews
November 20, 2018
Philip Monk
Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay
Features
November 13, 2018
Sky Goodden
“In the Round of Her Need”: An Interview with Ambera Wellmann
Reviews
June 27, 2018
Juan José Santos
Behind the Curtain: Beatriz González’s Political-Decorative Art
Reviews
September 15, 2017
Aruna D'Souza
The Personal and Political Wrestle it Out in Kara Walker’s Rebellious New Show
Reviews
July 26, 2017
Rob Goyanes
Art at the Border: Cutting for Signs in Pace Gallery’s “Border Cantos”
Features
November 25, 2015
Luc Tuymans
Private View: Luc Tuymans on Henry Raeburn
Reviews
March 17, 2015
Saelan Twerdy
Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
Features
January 6, 2015
Andrew Berardini
In Praise of Good Art Writing
Reviews
December 4, 2014
Clint Burnham
Russian Collective Chto Delat Heads Straight at the Violence of the Contemporary
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