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Reviews
November 26, 2025
Andrew Witt
Time Made Strange: Abbas Akhavan at the Belkin Art Gallery
Features
May 15, 2024
Claudia La Rocco
Loosening the Stays
Features
,
Reviews
April 26, 2024
Terry Nguyen
A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
Reviews
December 12, 2023
Eliza Swann
They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
August 22, 2023
Elisabeth Nicula
We’re Alive, Pablo Is Dead
Features
July 28, 2023
Doreen A. Rios
Dataspace: From the Observed Object to the Participating Subject
Features
,
Reviews
April 12, 2023
Jenny Wu
Solitary: Collective Authorship and its Discontents
Features
April 28, 2022
Dana Kopel
Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
Features
,
Reviews
March 22, 2022
Geoffrey Mak
An Ascetic Pose: Avery Singer’s New Refusal
Reviews
June 25, 2021
Max Pearl
Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
Podcast
December 17, 2021
Season 5: Episode 2
"My Meteorite" Harry Dodge
Harry Dodge
Reviews
July 6, 2020
Rahel Aima
Depleting Felix Gonzalez-Torres
Reviews
November 22, 2019
Gracie Hadland
John Boskovich Steers His Own “Recovery”
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Reviews
February 1, 2019
Kanad Chakrabarti
Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
Reviews
December 17, 2018
Tausif Noor
Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer
Features
August 10, 2018
Catherine G. Wagley
What to Do About Klaus: How Arts Communities Assert Their Agency
Reviews
August 2, 2018
Maura Callahan
A Long, Dull Shadow: Georg Baselitz’s Legacy of Misogyny
Reviews
June 29, 2018
Elliat Albrecht
Chinese Futures for American Eyes at the Guggenheim
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