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Reviews
September 5, 2024
Julie Weitz
Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past
Features
,
Reviews
September 23, 2022
Julie Weitz
Relocating Trauma at the Venice Biennale
Reviews
June 25, 2021
Max Pearl
Ambivalent Transparency: Artists Go on and “Off the Record” at Guggenheim
Features
July 5, 2019
Ben Davis
Where Do We Go From Here? Dubious Wealth and Ethical Funding
Reviews
December 17, 2018
Tausif Noor
Conspiracy, Discounted Histories, and Nostalgia at the Met Breuer
Reviews
November 2, 2018
Kristian Vistrup Madsen
Archeology and Ambivalence at Austria’s Steirischer Herbst Festival
Features
August 10, 2018
Catherine G. Wagley
What to Do About Klaus: How Arts Communities Assert Their Agency
Features
February 2, 2016
Dick Averns
“How to Lie About Canadian Art”: A Case Study in Art Criticism
Features
July 24, 2015
Earl Miller
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
Features
March 12, 2015
Coline Milliard
Interview: Venice Biennale Curator Okwui Enwezor On “All the World’s Futures” and the Angel of History
Reviews
February 9, 2015
Clint Burnham
Luc Tuymans Dares Painting to Lose
Reviews
January 30, 2015
Clint Burnham
The Many Violences of Adel Abdessemed
Reviews
December 15, 2014
Clint Burnham
Tadej Pogačar’s Persistent Perversion of Institutional Critique
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