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    Explore , or the
    The Possessions of Paul Pfeiffer
    Reviews July 11, 2024
    Simon Wu

    The Possessions of Paul Pfeiffer

    Evidence of Things Seen*: Capture and Control in India
    Features May 22, 2023
    Arushi Vats

    Evidence of Things Seen*: Capture and Control in India

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    Breathing Resistance: An Interview with Sahar Te
    Features February 23, 2022
    Amin Alsaden

    Breathing Resistance: An Interview with Sahar Te

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York
    Features, Reviews January 13, 2021
    Andrew Woolbright

    We Are Gathered Here to Grieve: Salvaging, Mourning, and “Cargo Cult Formalism” in New York

    The Thread of the Weave: Meaning from Material at Oakville Galleries
    Reviews September 17, 2019
    Vince Rozario

    The Thread of the Weave: Meaning from Material at Oakville Galleries

    Firing Blanks: Hito Steyerl and the Voiding of Research Art
    Reviews July 16, 2019
    Rahel Aima

    Firing Blanks: Hito Steyerl and the Voiding of Research Art

    Invisible Labor and Black Burnout
    Features May 3, 2019
    Melissa Smith

    Invisible Labor and Black Burnout

    Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh
    Reviews February 14, 2019
    Christina Cuthbertson

    Feeling the Idea: Jennifer Rose Sciarrino Advances a Speculative Future in Flesh

    The Picture of Terror: Contemporary Art and the Islamic State
    Features January 25, 2019
    Owen Duffy

    The Picture of Terror: Contemporary Art and the Islamic State

    A Frieze in Rome: William Kentridge Updates Augustus, Tangling Time
    Features, Reviews November 27, 2018
    Andy Patton

    A Frieze in Rome: William Kentridge Updates Augustus, Tangling Time

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
    Reviews July 25, 2018
    Mitch Speed

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus

    Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin
    Reviews October 23, 2017
    Mitch Speed

    Risking Pop-Solipsism, Moyra Davey Gets Earnest in Berlin

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey
    Reviews October 6, 2017
    Juan José Santos

    The Strangeness of the Everyday: Skulptur Projekte Münster’s Deep Grey

    “Made in Germany”: Can the Artworld Have a Nation?
    Features, Reviews July 7, 2017
    Kristian Vistrup Madsen

    “Made in Germany”: Can the Artworld Have a Nation?

    Drones, by Design: Mahwish Chishty and the Politics of Representation
    Reviews February 3, 2017
    Tausif Noor

    Drones, by Design: Mahwish Chishty and the Politics of Representation

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”
    Reviews November 1, 2016
    Ben Eastham

    The 11th Gwangju Biennale’s Overreach: “What Does Art Do?”

    Ajay Kurian’s Futures Long Since Passed
    Features September 8, 2016
    Owen Duffy

    Ajay Kurian’s Futures Long Since Passed

    DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience
    Reviews August 16, 2016
    Alison Hugill

    DIS Collective’s Apathetic and Ironic Berlin Biennial Underestimates its Audience

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”
    Reviews March 20, 2016
    Ben Eastham

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”