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Reviews
January 22, 2026
Luke Urbain
Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio
Reviews
October 17, 2024
Allison Noelle Conner
Divya Mehra, Stirring and Whirring Colonialism’s Ghosts
Features
,
Reviews
August 15, 2024
Jessica Lynne
,
Catherine G. Wagley
Reviewing the Reviews: The 2024 Whitney Biennial
Features
,
Reviews
May 24, 2024
Catherine G. Wagley
REDCAT’s Rediscovery of the Iconic Feminist Art Program
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
February 7, 2023
Ella Dawn McGeough
It’s All About Good Timing: Goodwater at the Plumb
Reviews
November 23, 2021
Laura August
Across This Fraught Place: Survivance at the 2021 Texas Biennial
Features
October 14, 2021
X. Amy Zhang
Stop Guarding the Art
Features
April 30, 2021
Jason Stopa
“I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
Reviews
July 6, 2020
Rahel Aima
Depleting Felix Gonzalez-Torres
Features
March 6, 2020
Ben Davis
With Sharper Tools: Defending the National Endowment for the Arts
Features
September 3, 2019
Catherine G. Wagley
Learning as Supporting: Alternatives for Futures in Art Education
Features
,
Reviews
August 1, 2019
Joseph Henry
Love and Loneliness: Queering Modernisms in Figurative Painting
Features
July 27, 2019
Ben Davis
How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
Features
,
Reviews
May 15, 2019
Wendy Vogel
“This Reductive Brave New World”: Andrea Dworkin’s Painful Relevance
Features
January 25, 2019
Owen Duffy
The Picture of Terror: Contemporary Art and the Islamic State
Reviews
January 10, 2019
Earl Miller
The 57th Carnegie International Wanders in Search of “Museum Joy”
Features
,
Reviews
December 7, 2018
Catherine G. Wagley
The Bold Refusal of lauren woods’s “American Monument”
Features
August 10, 2018
Catherine G. Wagley
What to Do About Klaus: How Arts Communities Assert Their Agency
Features
July 20, 2017
Aruna D'Souza
Mourning Jimmie Durham
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