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Reviews
November 20, 2025
Emma Fiona Jones
Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
Features
September 25, 2025
Elisa Wouk Almino
What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
Reviews
June 12, 2025
Miciah Hussey
Improvising at the Edge of the World: Joan Jonas at the Gund
Features
,
Reviews
February 13, 2025
Diana SeoHyung
Ritual Maintenance: Edges and Encounters with Tina Girouard
Features
May 3, 2024
Jason Stopa
Changing the Ground: Amy Sillman Talks About Painting
Reviews
November 9, 2023
Michael Dango
Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
Features
October 16, 2023
Cassie Packard
Tracking the Sapphic Social Imaginaries: Lesbian Art in Print
Features
May 22, 2023
Arushi Vats
Evidence of Things Seen*: Capture and Control in India
Features
January 31, 2023
Catherine G. Wagley
All Positions Possible: Simone Forti Across Time, Through Community
Features
December 21, 2021
Eunice Lacaste
Losing Ground in Singapore’s State-Curated Digital Age
Podcast
December 17, 2021
Season 5: Episode 2
"My Meteorite" Harry Dodge
Harry Dodge
Reviews
December 14, 2020
Mitch Speed
The Shadow-Self Universe of Chris Ware
Features
May 29, 2020
Saelan Twerdy
The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
Features
February 20, 2019
Sky Goodden
The Seductive Branding of Phoebe Greenberg
Reviews
October 24, 2018
Riva Symko
Unsettling Borders: The “Greater West” Recolonized
Reviews
July 17, 2018
Max L. Feldman
Abjection Without Splendor: Günter Brus and Transgression’s Diminishing Returns
Reviews
May 10, 2018
Eleanor Heartney
Irreligious Icons: Superficial Heresy at the Met
Reviews
November 7, 2017
Catherine G. Wagley
“Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
Reviews
June 7, 2017
Rahel Aima
The Center Holds: Bruce High Quality Foundation’s Accidental Gulf Nativism
Features
September 8, 2016
Owen Duffy
Ajay Kurian’s Futures Long Since Passed
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