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Features
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Reviews
August 1, 2025
Elizabeth Wiet
Jack Whitten, Human Xerox Machine
Features
March 6, 2020
Ben Davis
With Sharper Tools: Defending the National Endowment for the Arts
Reviews
April 24, 2019
Erin Silver
From Dust to Light: On Photography’s Material Traces
Features
March 7, 2019
Julia Pelta Feldman
Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason
Reviews
November 17, 2017
Mitch Speed
Palpable Urgency and Understated Ecology: Latvia’s “Survival Kit 9”
Features
September 6, 2016
Gilda Williams
“Embarrassment is a Challenge”: The Queasy Vulnerability of Maria Lassnig
Features
March 9, 2016
Liz Jobey
Hold Still: A History of Performing for the Camera from Nadar to the Selfie
Features
January 25, 2016
Andrew Berardini
How to See the Invisible
Features
December 8, 2015
Catherine G. Wagley
Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
Reviews
October 26, 2015
Catherine G. Wagley
Helen Molesworth Upends the Permanent Hang at MOCA LA
Features
August 14, 2015
Glenn Ligon
,
Simon Grant
Inside My Head: An Interview with Glenn Ligon
Features
July 17, 2015
Tracey Emin
,
Simon Grant
Perfect Bedfellows: Tracey Emin on Francis Bacon
Features
April 27, 2015
Joseph Henry
The Suffering Body of 1993: Whatever Happened to the “Abject”
Features
April 8, 2015
Carol Strickland
Seeing Red: Understanding Kazuo Shiraga’s Sudden Fame
Features
March 27, 2015
Cliff Eyland
Retrospective: Pollock in LIFE
Features
March 20, 2015
Ben Davis
Is the iPhone a Blessing or a Curse for Art?
Reviews
January 30, 2015
Clint Burnham
The Many Violences of Adel Abdessemed
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