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Our Visuality: Abortion Care Work and Photography

Features February 23, 2024

Carmen Winant

Our Visuality: Abortion Care Work and Photography

We’re Alive, Pablo Is Dead

Features, Reviews August 22, 2023

Elisabeth Nicula

We’re Alive, Pablo Is Dead

What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”

Reviews April 7, 2017

Casey Beal

What Kind of Criticism Do We Need Now? Coming to Terms with Teju Cole’s “Known and Strange Things”

Ways of Seeing John Berger, in Two Recent Documentaries

Reviews December 13, 2016

Mitch Speed

Ways of Seeing John Berger, in Two Recent Documentaries

Redefining the Sex in the Sale at Birch Contemporary

Reviews January 21, 2016

Ulysses Castellanos

Redefining the Sex in the Sale at Birch Contemporary

The Outsider That Invites Us In: Jordan Maclachlan’s “Ways of Living”

Reviews August 21, 2015

Ulysses Castellanos

The Outsider That Invites Us In: Jordan Maclachlan’s “Ways of Living”

On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

Features July 24, 2015

Earl Miller

On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

Post-Crisis: What’s Next for Art Criticism in a Digital Age

Features June 26, 2015

Sky Goodden

Post-Crisis: What’s Next for Art Criticism in a Digital Age

The Commons of Aggregation: The Case for Net Art as Public Art

Features October 27, 2014

Joseph Henry

The Commons of Aggregation: The Case for Net Art as Public Art