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Reviews
January 6, 2025
Sky Goodden
Prescient About Still-Active Threats, Marisol Is Right on Time
Features
,
Reviews
April 12, 2023
Jenny Wu
Solitary: Collective Authorship and its Discontents
Reviews
April 19, 2019
Matthew Joseph Irwin
The Legacy of Mary Sully: Early Indigenous Feminism, and the “American Indian Abstract”
Features
,
Reviews
October 17, 2018
Rahel Aima
An Exhibit in an Email: Vimeo Links, PR, and Posturing by Proxy
Reviews
September 5, 2018
Philip Monk
O Narciso: The Streets Look Back at Hudinilson Jr.
Reviews
May 24, 2018
Tausif Noor
Are We Being Preached To? Adrian Piper’s Prompts at the MoMA
Reviews
November 7, 2017
Catherine G. Wagley
“Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
Reviews
November 3, 2017
Jordan Amirkhani
How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia
Reviews
November 4, 2016
Ulysses Castellanos
A House Divided: Theaster Gates’s Confused Beat at the AGO
Features
July 20, 2016
Raél Jero Salley
“If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”
Reviews
August 21, 2015
Andrew Berardini
A.L. Steiner’s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe
Reviews
November 10, 2014
Saelan Twerdy
Future Forecast: The Montreal Biennale 2014
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