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Reviews
December 20, 2024
Claudia La Rocco
Arenas of Freedom
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Features
May 30, 2024
Maya Mackrandilal
Radical Looking: Newly Seeing Art With My Baby
Reviews
October 7, 2021
Melissa Lo
More than Not: LACMA’s “Not I” and the Necessity of History
Features
,
Reviews
August 1, 2019
Joseph Henry
Love and Loneliness: Queering Modernisms in Figurative Painting
Features
March 7, 2019
Julia Pelta Feldman
Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason
Reviews
February 1, 2019
Kanad Chakrabarti
Sanded Edges: Pierre Huyghe Turns Polite at the Serpentine
Reviews
January 31, 2019
Ben Davis
“Velvet Buzzsaw” Should Terrify the Artworld
Features
August 10, 2018
Catherine G. Wagley
What to Do About Klaus: How Arts Communities Assert Their Agency
Reviews
November 7, 2017
Catherine G. Wagley
“Pacific Standard Time” Writes Overlooked Chicano Artists Back Into Art History
Features
October 18, 2017
Sky Goodden
Seeking a More Intimate Fair with /edition’s Paul Butler
Features
,
Reviews
May 5, 2017
Catherine G. Wagley
Gallerist Virginia Dwan, the Reluctant Legend
Reviews
January 11, 2017
Sky Goodden
The Portent in Exhibiting Robert Mapplethorpe: What Can He Mean to Us Now?
Reviews
June 15, 2016
Andrew Berardini
The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin
Reviews
June 1, 2016
Ben Davis
Evasion and Euphemism: The Guggenheim Underintellectualizes and Depoliticizes László Moholy-Nagy
Features
December 8, 2015
Catherine G. Wagley
Friends Among Us: Reflections on the Value and Risk of Nepotism in Art
Reviews
October 26, 2015
Catherine G. Wagley
Helen Molesworth Upends the Permanent Hang at MOCA LA
Reviews
October 15, 2014
Colin Perry
Pierre Huyghe’s Airless Fantasy at Hauser & Wirth
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