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    Explore , or the
    Features April 2, 2026
    Harley Wong

    Staying to the End: Gossip, Banter, and Loss in Peter Hujar’s Friendships

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
    Reviews January 23, 2025
    Amelia Wong-Mersereau

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished

    Invasion from Mars: On the Charged Personae of Shelly Mars
    Features September 27, 2024
    Gyula Muskovics

    Invasion from Mars: On the Charged Personae of Shelly Mars

    Radical Looking: Newly Seeing Art With My Baby
    Features May 30, 2024
    Maya Mackrandilal

    Radical Looking: Newly Seeing Art With My Baby

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang
    Features April 28, 2023
    Catalina Ouyang, Summer Kim Lee

    Finding One Another in Misrecognition: Summer Kim Lee Meets Catalina Ouyang

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen
    Features October 26, 2022
    Catherine G. Wagley

    On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
    Reviews April 12, 2022
    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    Liz Magor Waits, But Not For You
    Reviews August 17, 2016
    E.C. Woodley

    Liz Magor Waits, But Not For You

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
    Features February 29, 2016
    Sky Goodden

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    Interview: The Compressed Violence of Dana Schutz
    Features October 19, 2015
    Benjamin Bruneau

    Interview: The Compressed Violence of Dana Schutz

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective
    Features, Reviews December 11, 2014
    Joseph Henry, Fabien Maltais-Bayda

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective