• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
    Reviews January 15, 2026
    Sky Goodden

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

    Reviews November 26, 2025
    Andrew Witt

    Time Made Strange: Abbas Akhavan at the Belkin Art Gallery

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    The Future Wandering of Tau Lewis
    Features October 18, 2019
    Sky Goodden

    The Future Wandering of Tau Lewis

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma
    Reviews March 28, 2019
    Vince Rozario

    Deeper Wounds: Nep Sidhu and Aestheticizing Trauma

    The Material Undoings of Kelly Lycan
    Features, Reviews December 21, 2016
    Joni Low

    The Material Undoings of Kelly Lycan

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    VSVSVS at Mercer Union: A White-Cube Compromise
    Reviews June 18, 2015
    RM Vaughan

    VSVSVS at Mercer Union: A White-Cube Compromise