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    Explore , or the
    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished
    Reviews January 23, 2025
    Amelia Wong-Mersereau

    “You Took, Took, Took”: Alanis Obomsawin’s Work is Never Finished

    The Anxious “I”: Walter Scott’s Autofictional Universe
    Features, Reviews October 22, 2020
    Saelan Twerdy

    The Anxious “I”: Walter Scott’s Autofictional Universe

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art
    Features December 2, 2019
    Mark Mann

    It’s Okay to Laugh: The Political Turn in Bridget Moser’s Prop Art

    Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic
    Reviews April 27, 2019
    Sky Goodden

    Looking Out from Looking In: Geneviève Cadieux Shifts From the Polemic to the Poetic

    Features, Reviews March 23, 2018
    Mark Mann

    The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)
    Features March 13, 2018
    America Meredith, Lori Blondeau, Adrian Stimson

    America Meredith, Lori Blondeau, and Raven Chacon Remember James Luna (1950-2018)

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    Liz Magor Waits, But Not For You
    Reviews August 17, 2016
    E.C. Woodley

    Liz Magor Waits, But Not For You

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
    Features August 4, 2016
    Saelan Twerdy

    Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
    Features February 29, 2016
    Sky Goodden

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him

    The Sadean Woman: Tricia Middleton and the Violence of Art
    Reviews February 9, 2016
    Saelan Twerdy

    The Sadean Woman: Tricia Middleton and the Violence of Art

    Interview: The Compressed Violence of Dana Schutz
    Features October 19, 2015
    Benjamin Bruneau

    Interview: The Compressed Violence of Dana Schutz

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn
    Features January 29, 2015
    Sky Goodden

    The Exit Interview: Stéphane Aquin Looks Back As He Advances to the Hirshhorn

    Year in Review: Montreal From the Ground Up
    Features December 31, 2014
    Saelan Twerdy

    Year in Review: Montreal From the Ground Up

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective
    Features, Reviews December 11, 2014
    Joseph Henry, Fabien Maltais-Bayda

    Criticism Project Altered Twice: A Dual Response to Xavier Le Roy’s Retrospective

    Future Forecast: The Montreal Biennale 2014
    Reviews November 10, 2014
    Saelan Twerdy

    Future Forecast: The Montreal Biennale 2014