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    Explore , or the
    Reviews March 19, 2026
    Madeleine Seidel

    Tour de Farce: Pat Oleszko at SculptureCenter

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
    Features February 5, 2025
    Tiana Reid

    Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto

    Paper Abstractions: Virginia Jaramillo’s Social Theory
    Reviews June 28, 2024
    Michael Dango

    Paper Abstractions: Virginia Jaramillo’s Social Theory

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
    Reviews November 9, 2023
    Michael Dango

    Fought Through Women’s Bodies: Mona Hatoum’s Early Performances

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto
    Reviews June 1, 2023
    Tiana Reid

    Between Language and Cure: Athena Papadopoulos at MOCA Toronto

    All Positions Possible: Simone Forti Across Time, Through Community
    Features January 31, 2023
    Catherine G. Wagley

    All Positions Possible: Simone Forti Across Time, Through Community

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
    Features April 28, 2022
    Dana Kopel

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

    Correcting for the Bawdy Rage of Paula Rego
    Features September 17, 2021
    Natalie Frank

    Correcting for the Bawdy Rage of Paula Rego

    Fantastic Emissions: Mika Rottenberg’s Labor of Mystification
    Reviews November 4, 2019
    Maru Pabón

    Fantastic Emissions: Mika Rottenberg’s Labor of Mystification

    “I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution
    Features June 7, 2019
    Hettie Judah

    “I’m Staying Away From Trump as Subject Matter”: Howardena Pindell On Refusal and Evolution

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”
    Features, Reviews January 21, 2019
    Sky Goodden

    Bad Faith in MOCA Toronto’s Inaugural Show, “Believe”

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen
    Reviews December 21, 2017
    Casey Beal

    Mourning at the Museum: Montreal’s Post-Sincere Send-Off for Leonard Cohen

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia
    Reviews November 3, 2017
    Jordan Amirkhani

    How (Not) To Retrospect: Beverly Buchanan in Brooklyn and Georgia

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”
    Reviews July 5, 2017
    Alison Hugill

    Courting Crisis: Condescension, Disaster Tourism, and “Learning from Athens”

    Sound/Off: Uneasy Listening at documenta 14 in Kassel
    Reviews June 21, 2017
    Tausif Noor

    Sound/Off: Uneasy Listening at documenta 14 in Kassel

    The Instagrammable Angst of Anne Imhof
    Reviews October 5, 2016
    Alison Hugill

    The Instagrammable Angst of Anne Imhof

    “If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”
    Features July 20, 2016
    Raél Jero Salley

    “If You Are Black, You Really Are Coming from Behind”: Orders of Visibility in Kerry James Marshall’s “Mastry”

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)
    Features June 23, 2016
    Juan José Santos

    Understanding Lina Bo Bardi’s Unending Popularity (and Misuse)

    Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal
    Reviews January 5, 2016
    Owen Duffy

    Abstraction Made Political: Helena Almeida Rewrites Her Own History in Portugal