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    Explore , or the
    Dataspace: From the Observed Object to the Participating Subject
    Features July 28, 2023
    Doreen A. Rios

    Dataspace: From the Observed Object to the Participating Subject

    The Artist Is the Void
    Features May 10, 2022
    Elisabeth Nicula

    The Artist Is the Void

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden
    Features April 4, 2022
    Calum Sutherland

    “I Wish We Could Reach for New Language”: An Interview with Sky Goodden

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
    Features, Reviews March 17, 2022
    Saelan Twerdy

    Plague Medicine: Reading Avocado Ibuprofen in a Pandemic

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”
    Features September 28, 2020
    Ben Davis

    “Proudly Broken and Refusing to ‘Fit’”: Legacy Russell on “Glitch Feminism”

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
    Features May 29, 2020
    Saelan Twerdy

    The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil

    After the Afterparty: Alan Belcher and Friends, in Retrospect
    Reviews January 10, 2020
    Saelan Twerdy

    After the Afterparty: Alan Belcher and Friends, in Retrospect

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads
    Features, Reviews July 27, 2018
    Saelan Twerdy

    Recognition and Reckoning: Montreal’s Alternative Art Spaces at the Crossroads

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus
    Reviews July 25, 2018
    Mitch Speed

    Worrying the Note: A German Stage for Arthur Jafa’s Black-American Chorus

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial
    Features, Reviews November 22, 2016
    Saelan Twerdy

    Morbid Symptoms: In Search of the Post-Contemporary at the 2016 Montreal Biennial

    Clive Holden Grounds the Digital in Aura
    Reviews October 27, 2016
    Sky Goodden

    Clive Holden Grounds the Digital in Aura

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”
    Reviews March 20, 2016
    Ben Eastham

    Flickering Insight from the Whitechapel’s “Electronic Superhighway”

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him
    Features February 29, 2016
    Sky Goodden

    To Cloak or Reveal: Ryan Gander on the Question That Dogs Him

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital
    Reviews October 7, 2015
    Otino Corsano

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital

    Momus “Best Of”: Vol. 1
    Features August 24, 2015
    Sky Goodden

    Momus “Best Of”: Vol. 1

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
    Features July 24, 2015
    Earl Miller

    On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web
    Reviews July 9, 2015
    Saelan Twerdy

    This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
    Reviews March 17, 2015
    Saelan Twerdy

    Aiming to Please: Division Gallery Surveys Post-Internet Entertainment

    The Contemporary Erotics of Laurie Kang
    Reviews February 24, 2015
    Alex Bowron

    The Contemporary Erotics of Laurie Kang

    Year in Review: The Women Represented
    Features December 31, 2014
    Joseph Henry

    Year in Review: The Women Represented