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Reviews
January 22, 2026
Luke Urbain
Without Deference: The Political Clarity of Coco Fusco at El Museo del Barrio
Reviews
January 15, 2026
Sky Goodden
Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
Features
May 22, 2025
Alexandra M. Thomas
To Ensure the Record Can Never Be Whitewashed: Honoring Nona Faustine
Reviews
September 11, 2024
Rachel Elizabeth Jones
Daddy Says: Ed Ruscha in Other Words
Features
,
Reviews
August 15, 2024
Jessica Lynne
,
Catherine G. Wagley
Reviewing the Reviews: The 2024 Whitney Biennial
Features
,
Reviews
July 25, 2024
Jeremy Lybarger
Romantic and Brawling: On Four Chicago Artists
Features
June 14, 2024
Julie Weitz
Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
May 2, 2023
Elisabeth Nicula
Bad Reviews
Reviews
March 22, 2023
Andrew Russeth
Never Risky: Seeking New Life at the Singapore Biennale
Reviews
April 12, 2022
Jocelyn Parr
A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
Features
February 24, 2022
Simon Wu
On Whiteness
Features
August 18, 2020
Andreas Petrossiants
Between the Gallery and the Street: An Interview with Vanessa Thill
Features
May 8, 2020
Xin Wang
Cyclical Gods: Reliving Pandemic
Features
January 27, 2020
Jarrett Earnest
Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
Podcast
April 30, 2020
Season 3: Episode 3
“What’s Changed, and What Should?” Johanna Fateman
Johanna Fateman
Reviews
November 14, 2019
David Balzer
A Provisional Biennial Amid Istanbul’s Endless Restoration
Features
September 16, 2019
Jasmine Amussen
Art and Labor: Writers Bloc
Reviews
March 15, 2019
Catherine G. Wagley
The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes
Podcast
October 22, 2019
Season 2: Episode 7
“What Makes Great Art?” Jarrett Earnest
Jarrett Earnest
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