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Features
March 4, 2026
Eliza Swann
Moving Through the Rupture: Tehching Hsieh and Linda Montano Revisit Rope Piece
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December 3, 2025
Summer Kim Lee
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TJ Shin
Go on Without Me: Summer Kim Lee and TJ Shin on Absenteeism, Endlessness, and Recursion
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August 21, 2025
Nasrin Himada
Programming the Diaspora: On How the Moving Image Shapes the Present
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July 25, 2025
Mimi Howard
“I Always Wanted to Participate”: In Conversation with Vijay Masharani
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Najrin Islam
A Note on Omission: Navigating Institutional Censorship and the Need for Repair
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Jackson Davidow
A Model for Risk-Taking: Arthur Tress’s Grotesque Allegory of a Presidential Cabinet
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Cat Kron
The High Stakes of Nancy Holt’s Systems
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March 14, 2025
Jamie Ross
The Boy in the Bathroom: Tom Burr’s Torrington Project
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February 5, 2025
Tiana Reid
Disposability, Divestment, and Action: The Palestine Solidarity Movement and the State of Art in Toronto
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September 5, 2024
Julie Weitz
Sidestepping Violence: The German Pavilion’s Failure to See the Present in the Past
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August 15, 2024
Jessica Lynne
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Catherine G. Wagley
Reviewing the Reviews: The 2024 Whitney Biennial
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July 31, 2024
Sholem Krishtalka
Goodbye to Berlin
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June 14, 2024
Julie Weitz
Exposing the Contradictions: Jewish Artists Dismantling Germany’s Nationalist Narrative
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May 30, 2024
Maya Mackrandilal
Radical Looking: Newly Seeing Art With My Baby
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May 15, 2024
Claudia La Rocco
Loosening the Stays
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January 19, 2024
Harley Wong
When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum
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December 12, 2023
Eliza Swann
They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
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November 9, 2023
Michael Dango
Fought Through Women’s Bodies: Mona Hatoum’s Early Performances
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September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
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Reviews
June 15, 2023
Rouzbeh Shadpey
A Clinic the Size of the World
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