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Reviews
March 19, 2026
Madeleine Seidel
Tour de Farce: Pat Oleszko at SculptureCenter
Reviews
February 12, 2026
Sky Goodden
Another Small Disturbance: Shannon Garden-Smith at MKG127
Reviews
January 15, 2026
Sky Goodden
Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
Reviews
November 20, 2025
Emma Fiona Jones
Perfectly Imperfect: On Casa Susanna and Its Tender, Queer Entanglements
Reviews
October 9, 2025
Tatum Howey
Risking Fear: Hamad Butt at Whitechapel Gallery
Features
September 25, 2025
Elisa Wouk Almino
What a Book Can Do: On Editing Emily Mason and Alice Trumbull Mason’s Monographs
Reviews
June 26, 2025
MacKenzie River Foy
Implied Threat, Implied Responsibility: Elizabeth Catlett at the National Gallery of Art
Features
June 19, 2025
Sarah Hollenberg
End of the World: Revisiting a Lost Future at Spiral Jetty
Features
May 15, 2025
Cat Kron
The High Stakes of Nancy Holt’s Systems
Features
April 4, 2025
Erin F. O'Leary
For Pleasure and Pictures: Robert Andy Coombs, His Critics, and the Language of Ableism
Reviews
January 6, 2025
Sky Goodden
Prescient About Still-Active Threats, Marisol Is Right on Time
Podcast
January 20, 2025
Season 7: Episode 8
"This Question of Action" Tiana Reid
Tiana Reid
Reviews
August 28, 2024
Miciah Hussey
Peter Hujar’s Still Life in Motion
Features
May 15, 2024
Claudia La Rocco
Loosening the Stays
Features
,
Reviews
February 14, 2024
Lois Taylor Biggs
Abstraction, Legibility, and Desire in the Work of Brenda Draney
Reviews
January 19, 2024
Harley Wong
When Feminisms and Futurisms Collide: Judy Chicago and Puppies Puppies at New Museum
Reviews
November 14, 2023
M. Folescu
From Cinematic to Static: Isa Genzken’s 75/75 Retrospective in Berlin
Reviews
November 2, 2023
Margaret Carrigan
Claire Morgan’s “Dead Weight” in Paris
Features
,
Reviews
August 22, 2023
Elisabeth Nicula
We’re Alive, Pablo Is Dead
Features
July 28, 2023
Doreen A. Rios
Dataspace: From the Observed Object to the Participating Subject
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