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Reviews
February 5, 2026
Lauren Stroh
Looking at Women: Gladys Nilsson’s Seriously Sexy Figures at the Menil Drawing Institute
Reviews
October 9, 2025
Tatum Howey
Risking Fear: Hamad Butt at Whitechapel Gallery
Features
,
Reviews
November 30, 2023
Jenny Wu
Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude
Features
September 8, 2023
Simon Wu
“A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
Features
,
Reviews
August 22, 2023
Elisabeth Nicula
We’re Alive, Pablo Is Dead
Features
,
Reviews
May 2, 2023
Elisabeth Nicula
Bad Reviews
Reviews
March 15, 2023
Darla Migan
The Soft Syncretism of Tau Lewis
Features
April 24, 2020
Mark Mann
Artists in Isolation: Instagram, Leave Us to Our Darkness
Features
March 25, 2020
David Garneau
Writing About Indigenous Art with Critical Care
Features
,
Reviews
January 17, 2020
David Balzer
Open Secrets: Gossip and the Reframing of a Canadian Painting Dynasty
Features
,
Reviews
August 1, 2019
Joseph Henry
Love and Loneliness: Queering Modernisms in Figurative Painting
Reviews
December 21, 2018
Sky Goodden
Shannon Bool Traces the Women of Algiers
Reviews
November 20, 2018
Philip Monk
Homage to Oneself: Julian Schnabel Interprets the Musée d’Orsay
Features
November 13, 2018
Sky Goodden
“In the Round of Her Need”: An Interview with Ambera Wellmann
Features
March 21, 2018
Aruna D'Souza
Worst-Case Scenarios: Contemporary Art’s #Metoo Handwringing
Features
October 30, 2017
Aruna D'Souza
Real Bodies: A Tribute to Linda Nochlin
Features
,
Reviews
September 27, 2017
Tausif Noor
Fake News, Bad Art
Features
February 13, 2017
Ben Davis
Interrupting Business as Usual: A Close Reading of MoMA’s Muslim Ban Intervention
Features
September 22, 2016
Eskil Lam
Wifredo Lam: The Albissola Years
Reviews
May 11, 2016
Zoë Chan
Vancouver Art Gallery’s “MashUp” Too Limited in its Understanding
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