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    Explore , or the
    Goodbye to Berlin
    Features, Reviews July 31, 2024
    Sholem Krishtalka

    Goodbye to Berlin

    “How to Lie About Canadian Art”: A Case Study in Art Criticism
    Features February 2, 2016
    Dick Averns

    “How to Lie About Canadian Art”: A Case Study in Art Criticism

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota
    Features January 15, 2016
    RM Vaughan

    Towards the Quiet, or with Larger Amplifiers: An Interview with Berlin Performance Artist Aleks Slota

    Why Can’t We Talk About Class and Art in Canada?
    Features December 18, 2015
    RM Vaughan

    Why Can’t We Talk About Class and Art in Canada?

    Why We Photograph
    Features November 2, 2015
    RM Vaughan

    Why We Photograph

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art
    Features September 16, 2015
    RM Vaughan

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art

    Momus “Best Of”: Vol. 1
    Features August 24, 2015
    Sky Goodden

    Momus “Best Of”: Vol. 1

    Nothing is Absolute: The Fairy-Winged Failure of “Absolute Beauty: Neoacademicism in Saint Petersburg”
    Reviews August 18, 2015
    RM Vaughan

    Nothing is Absolute: The Fairy-Winged Failure of “Absolute Beauty: Neoacademicism in Saint Petersburg”

    On Jurassic World’s Blockbusting Fear of Art
    Features July 27, 2015
    RM Vaughan

    On Jurassic World’s Blockbusting Fear of Art

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
    Features July 6, 2015
    RM Vaughan

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation

    VSVSVS at Mercer Union: A White-Cube Compromise
    Reviews June 18, 2015
    RM Vaughan

    VSVSVS at Mercer Union: A White-Cube Compromise

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski
    Reviews May 5, 2015
    RM Vaughan

    Taking On “The Gaze,” and Doing Away With it, Too: Warsaw’s Elsner and Rogalski

    The Alchemist: A Studio Visit with Sadie Weis
    Features April 7, 2015
    RM Vaughan

    The Alchemist: A Studio Visit with Sadie Weis

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”
    Features March 30, 2015
    RM Vaughan

    “I Don’t Give a Shit About Authenticity”: Sholem Krishtalka Performs His Reveal in “A Berlin Diary”

    AA Bronson Breathes New Life as He Raises the White Flag
    Reviews February 19, 2015
    RM Vaughan

    AA Bronson Breathes New Life as He Raises the White Flag

    When Does Performing Failure Make Its Own Failure?
    Features, Reviews February 2, 2015
    RM Vaughan

    When Does Performing Failure Make Its Own Failure?