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    Explore , or the
    Against Nations
    Features, Reviews July 8, 2022
    Jayne Wilkinson

    Against Nations

    Situating Great Ocean Art in Canadian Museums
    Features October 29, 2021
    Dr. Léuli Eshrāghi

    Situating Great Ocean Art in Canadian Museums

    A Provisional Biennial Amid Istanbul’s Endless Restoration
    Reviews November 14, 2019
    David Balzer

    A Provisional Biennial Amid Istanbul’s Endless Restoration

    Notes on a Crisis in Beauty
    Features August 20, 2019
    Andy Patton

    Notes on a Crisis in Beauty

    The Tonal Ambivalence of Feminist Land Art Retreat
    Features April 26, 2017
    Alison Hugill

    The Tonal Ambivalence of Feminist Land Art Retreat

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados
    Features January 12, 2017
    Fabien Maltais-Bayda

    Performance Art in a Precarious Time: A Conversation with Johanna Householder and Francisco-Fernando Granados

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital
    Reviews October 7, 2015
    Otino Corsano

    All That Is Solid …: Alex McLeod Taps the Cult of the Canadian Sublime and Explodes the Digital

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art
    Features September 16, 2015
    RM Vaughan

    A Spitting Fit of Teenage Rage: On the Increasing Impotence of Political Art

    The Suffering Body of 1993: Whatever Happened to the “Abject”
    Features April 27, 2015
    Joseph Henry

    The Suffering Body of 1993: Whatever Happened to the “Abject”

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”
    Reviews December 29, 2014
    Saelan Twerdy

    Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips
    Features December 17, 2014
    Sky Goodden

    Women and Influence and the Other Things He Got Wrong: A Rebuttal To Brad Phillips