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Features
October 16, 2025
Jade Meili Barget
Extraordinary Living Begins Here: Artists Negotiate Large-Scale Infrastructure
Features
July 28, 2023
Doreen A. Rios
Dataspace: From the Observed Object to the Participating Subject
Features
,
Reviews
March 17, 2022
Saelan Twerdy
Plague Medicine: Reading Avocado Ibuprofen in a Pandemic
Features
May 29, 2020
Saelan Twerdy
The Internet is “Never Peaceful, Never Fair, Never Good”: An Interview with Joanne McNeil
Features
April 14, 2020
Rahel Aima
Artists in Isolation: Wafaa Bilal’s “Domestic Tension”
Features
August 4, 2016
Saelan Twerdy
Who Was Edmund Alleyn? Rediscovering a Mercurial and Untimely Talent
Reviews
March 20, 2016
Ben Eastham
Flickering Insight from the Whitechapel’s “Electronic Superhighway”
Features
November 10, 2015
Sky Goodden
,
Benjamin Genocchio
,
James McAnally
,
Sarrita Hunn
The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
Features
July 24, 2015
Earl Miller
On Kawara’s “I Am Still Alive” Twitter Presence: An Anomaly in Post-Internet Art
Reviews
March 17, 2015
Saelan Twerdy
Aiming to Please: Division Gallery Surveys Post-Internet Entertainment
Reviews
November 10, 2014
Saelan Twerdy
Future Forecast: The Montreal Biennale 2014
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