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Features
December 22, 2022
Sky Goodden
“We’re All Tied to the Place That We’re From”: Celebrating 50 Years with Equinox Gallery
Reviews
February 4, 2020
Tyler Muzzin
The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment
Features
September 3, 2019
Catherine G. Wagley
Learning as Supporting: Alternatives for Futures in Art Education
Reviews
July 26, 2019
Mitch Speed
Wire and String: Olga Balema’s Sinewy Abjection
Features
March 27, 2019
Terence Trouillot
“So Many Glaring Absences That Were Very Loud to Me”: An Interview with Titus Kaphar
Features
September 13, 2018
Naomi Rea
Confronting Gender Imbalance at the Rencontres d’Arles
Features
June 29, 2017
Aruna D'Souza
White Space, Black Spectacle at MASS MoCA
Features
,
Reviews
May 5, 2017
Catherine G. Wagley
Gallerist Virginia Dwan, the Reluctant Legend
Features
March 17, 2017
Richard Wentworth
Abrasion and Collision: On History’s Steps with Robert Rauschenberg, at the Tate
Reviews
August 10, 2016
Mitch Speed
Dumb Material and Animate Belief: Sadie Benning Plays (with) God
Features
October 27, 2015
Sky Goodden
Public Art Has to Be Art First and Public Second: A Conversation with Stuart Reid on Union Station
Reviews
October 26, 2015
Catherine G. Wagley
Helen Molesworth Upends the Permanent Hang at MOCA LA
Features
October 7, 2015
Sky Goodden
Robert Rauschenberg and Rachel Harrison Mirror Media and More Across Time
Features
May 13, 2015
Ben Davis
After Bjork Fiasco, MoMA’s Yoko Ono Show Makes a Case for Art and Celebrity
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